A Quote by Robert Longo
I always imagine that I want to make art that is going to kill you,whether it’s going to do it visually or physically, I’ll take either way.
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It's very hard to go out and make big investments to take advantage of the shale energy if we don't know if it's always going to be there, what price it's going to be there, whether the country's going to allow it to be exported, or whether it's going to go and affect subsidized U.S. manufacturing.
I'm a piece of work, man. I will do what I want, at all times, always. Nobody's going to persuade me one way or another. I can't be persuaded. I take criticism, I listen, I analyze, but at the end of the day, I make the decisions. Because that's the way I started, and that's the way I'm going to finish.
I've watched so many women, from Kathleen Hanna all the way up to Taylor Swift, whether they're pop artists or rock stars or fine artists or writers, it is the subhistory of female artists that if you're going to make art, you're also going to have a full-time job of defending your right to make art.
I always try to have a book on hand, traveling is an excellent way of providing perspective, and studying Art History has made going to art museums way more fun than you can imagine.
So, yeah, I'm going to try to win the national championship next year. But I'm not going to kill myself doing it. I'm not going to kill my players either. You really start to realize there's a lot more to what we're trying to do then winning games
And you get into that sort of cannibalistic feeling - all you want to do is go out there and, like I say, kill somebody. I'm going to get him. I'm going to kill'em. Not like you are going to put them into the ground after, but you just want to kill a guy.
Art and science are intrinsically the same except for one thing. The universe is in control of your science, whether it's right or wrong, and the public are in control of your art - if they're going to buy it, if you're going to make a living that way.
If you're going to make a film, and you're going to have dialogue, and you want to take the characters seriously, let's understand what they're saying. If there is going to be technical dialogue, let's render it in a way that the audience can understand it and expect that it's not going to be so far over their heads.
It's crazy. I don't know how I'm not dead. People think I'm going to get punched in the face: "Something terrible is going to happen to you. You're going to get killed." That's not what's going to kill me. The show is going to kill me. The work is going to kill me. Once I'm on the street, I'm not worried about that.
I mean, sometimes if you're not always going to win on the scoreboard, you want to make sure that you're there physically.
You have to say, 'We think it's going to work. Let's go with it.' Either you're going to kill the world, or you're going to fall on your rear end.
I'd visually have that idea. I'm diving off the end of the diving board. I'm not going to be worried about if I'm going to dive into a jellyfish or the water's going to be too cold or the boys are going to beat me. I'm just doing it. And if I do it, it's a good chance I'll make it.
I am going to kill you," he hissed. She gulped. "Don't you want to lecture me first?" He stared at her with a heavy dose of stupefaction. "I take that back," he said with precisely clipped words. "First I am going to strangle you, and then I am going to kill you." "Here?" she asked doubtfully, looking around. "Won't my dead body look suspicious in the morning?
When I say I'm going to take care of a woman, I don't just mean physically or sexually or romantically. I'm going to take care of her emotionally and spiritually. I'm going to take care of her in all ways. I take a lot of pride in that today.
I have a certain way of thinking where I see something, and I know that I want it and I make up my mind - and that's pretty much all there is to it. It was like, This is what I want to do, and I'm going, and everything's going to work out. I'm going to be an actress. There was no way around it.
When you make music, and even if it's commercially successful, it doesn't mean that it's going to hold up. It takes time to sort of take stock of what you've done and whether it's got legs and whether it's going to really have a place.
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