A Quote by Robert Lopez
I only like to write shows that I feel like no one has seen before.
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With each project, I'm going for something that makes viewers think, 'Wow, I've never seen a film like this before,' and later think, 'Wow, I've only seen a film like this once before. I saw it in theaters and am watching it now on Netflix or a similar streaming service.'
I've seen most of the major, important shows, but I watch them all at once, like movies, so my TV relationships are still with shows like 'Law And Order: SVU,' 'Shark Tank,' and HGTV.
I feel like I write songs for the future or something. Not in an arrogant way, but I feel like maybe my songs were, like, before their time or something.
Whenever I've seen shows or films set here, they just don't feel like the real Nashville to me.
I procrastinate in spades. In my defence, I also try to have all other distractions solved before I can concentrate on writing. My small theory is that to write for three hours, you need to feel like you have three days. To write for three days, you need to feel like you've got three weeks, and so on.
I think people have this "It can't hurt to ask" mentality, which is true on some level. I get comics like, "Hey, will you look at these videos of me on MySpace?" I was like, "Well, who's gonna benefit from that? What if I don't like you?" No, I'm gonna write to a stranger and say, "Hi. You like me, and I don't like you. And now I feel bad when I didn't need to feel bad, because you put me on the spot." Or like, "Can I open for you?" Well, I've never seen you work, so no. I certainly made awkward mistakes when I was starting out, and they're just trying to have a career.
I still feel very close to the people I wrote shows with and some of the people I toured with. I feel very close to them, like a family or like college friends who you know and who have seen you at your worst and you spend 14 hours driving a van all piled on top of each other.
As journalism dies, I kind of feel like I want some skills besides writing. I'd like to be able to write movies or host TV shows or whatever. Things that I might actually not inherently like quite as much, but are interesting and fun things to do. A good backup plan.
Fans feel so close to us and can relate to us because not only do we look like the kids at our shows, we're in the crowd with the kids at our shows. We don't create this weird barrier like we're some crazy rock band.
I love making music. I feel like people often get into that 'you should only make music for yourself' kind of place, where they say things like, "I don't write for other people, I write for myself," and I feel like that misses the mark so much because music, especially pop music, is so much more than yourself.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
People that come to my shows are definitely people that feel outsiders. They feel like I don't feel sexy, I don't feel like - I can't go out every night on Friday and I can't connect to that, and I feel so much pressure to do that.
I love to write when I feel like everybody else is asleep and when I feel like the world is kind of empty in some ways. I find, oddly enough, that I write about loneliness and isolation a lot.
I didn't write my speech until the night before, and even then I refused to write it out like I would say it, preferring to keep cribbed notes I could come back to if necessary. I wanted this to feel like a conversation because it was what I wanted to say that mattered, not how it looked on paper.
Now on Facebook I have all these 'friends' who used to bully me, and they're like, 'We're so proud! We love you!' They come to shows and want to take a picture, and they're like, 'Don't you remember us?' And I'm like, 'I'm sorry, I don't.' And I feel bad, but I feel good.
Early on in my career, I was often the only woman in the room, writing for shows like 'Late Night with David Letterman,' 'The Simpsons,' 'Newhart,' and 'Coach,' and sometimes I'd feel like I didn't belong.
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