A Quote by Robert Lopez
If you're doing a musical, you should be out to give the audience something special, emotional, an uplifting feeling, something that stays with them. And you're not going to do that by bumming them out.
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If you're doing a musical, you should be out to give the audience something special, emotional, an uplifting feeling, something that stays with them.
Audiences - they like colour, you know. I can go out there wearing a red suit, man, and they'll say I'm out of sight ... I think they should be educated; you should always drop something on an audience ... When you get in front of an audience, you should try to give 'em something. After all, they're there looking at you like this. You can't go out and give 'em nothing.
I really just wanted to make something special for women. There aren't enough records uplifting them out there.
I can go out raw with nothing, and my fans would still be happy, but I feel that I owe it to them to give them almost like a Broadway musical at this point in my life. I have to give them something more, so I do have to think of different ways to do it.
And you realise you're doing a public service in making people happy - as a musician you can give people something a doctor, a lawyer, a politician cannot give them that. It's not scientific. It's spiritual - a good feeling. And although you don't know them personally, the audience are like your friends.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
When 9/11 happened, I was like, 'I gotta do something.' I went and talked to the recruiters, and I found out about the Special Forces 18X program. They take qualified people off the street, and they give them a shot at Special Forces. I was like, 'So I could go try out for Special Forces?'
It's good to give people a jolt. If they're expecting one thing, it's important to give them something else. If you do something startling, audiences might at first freak out, but then they start to think, 'This is not going to be conventional. I'm going to enjoy this.'
In myths and movies, the mentor can play a few roles: they bring the hero a magical gift, teach them how to use a special tool, or help the hero get unstuck. In a presentation setting, the presenter is the mentor. Our role as a presenter is similar to a mentor. We should be brining something of important value to our audience, they should not leave empty handed. There should be something useful and somewhat life-altering that we give them. It's not very often that we sit through a presentation and feel like we've sat at the feet of a mentor, but we should.
I love the idea of changing my look. I think one owes it to the audience, to go out there and give them something different each time, so as not to bore them to death.
When we can reach out as coaches and give back to these kids and touch them with the knowledge and with the thought process to give them the opportunity to do something that they dream about doing, that's what God put us here for.
Both me and Edgar are firm believers in never underestimating or talking down to an audience, and giving an audience something to do, to give them something which is entirely up to them to enter into the film and find these hidden things and whatever.
The reason why Hollywood cranks out so many sequels and adaptations is because the audience is so overwhelmed with choices, the only way to get them in the theater is to give them something familiar.
There are players like that - you know they have been rascals, and that you can bring them in, give them a new environment and get a length of time out of them, but they will always return to type. You can get something out of them, then you have to get rid of them.
I think a lot of people miss out on opportunities, they miss out on achieving their dream, and they miss out on doing what they love to do because they're allowing something else, something outside of them and outside of God, to dictate what their life's going to look like.
I'll have 15 letters today from mostly young kids who don't like what's going on and want to do something about it, and [they ask me] if I can give them some advice as to what they should do, or can I tell them what to read or something.
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