A Quote by Robert Louis Stevenson
Youth is the time to go flashing from one end of the world to the other to try the manners of different nations; to hear the chimes at midnight; to see the sunrise in town and country; to be converted at a revival; to circumnavigate the metaphysics, write halting verses, run a mile to see a fire, and wait all day long in the theatre to applaud Hernani.
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Youth is the time to go flashing from one end of the world to the other, both in mind and body.
The sun truly "comes up like thunder," and it sets just as fast. Each sunrise and sunset lasts only a few seconds. But in that time you see at least eight different bands of color come and go, from a brilliant red to the brightest and deepest blue. And you see sixteen sunrises and sixteen sunsets every day you're in space. No sunrise or sunset is ever the same.
You know, when we were kids, we had to go to a theater to see a movie. And then television came in and you had to wait until midnight to see the one you wanted to see. Now, all you've got to do is go to a store and buy it and you can watch it whenever you want!
Chimes?" Phyllis asked. "Chimes to call a lover? Chimes with the voice of a bird trapped in them? Chimes that play you whatever song you most desire to hear?" "No thanks," said Nick. "We've got MTV.
Pippin: I didn't think it would end this way.
Gandalf: End? No, the journey doesn't end here. Death is just another path... One that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass... And then you see it.
Pippin: What? Gandalf?... See what?
Gandalf: White shores... and beyond, a far green country under a swift sunrise.
Pippin: Well, that isn't so bad.
Gandalf: No... No it isn't.
When I started to run, I would run a mile and then walk a mile and kept building up as time went on. If you are running on the street, go one mailbox or one house further each day. It also helps to build up your endurance!
It's weird because when you initially write a song, you write it with no understanding that the world is maybe going to hear it one day. So when you go into the studio, you don't see the hundreds of people at a gig or the viewers on TV, you just write a song without any inhibitions or boundaries.
See others as yourself. See families as your family. See towns as your town. See countries as your country. See worlds as your world.
If you wait until you got time to write a novel, or time to write a story, or time to read the hundred thousands of books you should have already read - if you wait for the time, you will never do it. ‘Cause there ain’t no time; world don’t want you to do that. World wants you to go to the zoo and eat cotton candy, preferably seven days a week.
And you want to know why track and field is dying in this country? Kids today can watch Kobe Bryant go end-to-end and Randy Moss run a down-and-out and Ichiro Suzuki go from first to third and they will see it start to finish, in real time, the outcome happening before their eyes. But the men's 400 relay finals at the world championships? On your mark, get set . . . we'll show it to you in four hours on another network.
In the whole of your absurd past you discover so much that's absurd, so much deceit and credulity, that it might be a good idea to stop being young this minute, to wait for youth to break away from you and pass you by, to watch it going away, receding in the distance, to see all its vanity, run your hand through the empty space it has left behind, take a last look at it, and then start moving, make sure your youth has really gone, and then calmly, all by yourself, cross to the other side of Time to see what people and things really look like.
All of a sudden I'm in the major leagues and we're traveling from town to town. I see the other players dressing different every day. I've got only one suit and I keep wearing it over and over. I'm really embarrassed.
The States are great. I'd like to go just to see life, see things and hear people talk. It's like a circus where different acts go on at the same time.
I didn't go to university. I studied theatre in high school and worked with Canberra Youth Theatre and The Street Theatre and other theatre organisations in Canberra, and that's how I got my training.
When you go into the theatre and the lights dim, you want to entertain people from beginning to end. You want them to be swept up in your story, on the edge of their seats, unable to wait to see what happens next, be blown away and afterwards just go, 'Wow!'
I'm literally running up and down stairs all day long. If a constituent comes in to see me, I go downstairs. If a law client comes in, I run up to see him.
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