A Quote by Robert Louis Stevenson

It is the property of things seen for the first time, or for the first time after long, like the flowers in spring, to reawaken in us the sharp edge of sense and that impression of mystic strangeness which otherwise passes out of life with the coming of years; but the sight of a loved face is what renews a man's character from the fountain upwards.
then she was laughing. They both were, and the savage teeth were the most joyous sight Phaedra had seen for a long time. It was as if they were dancing. There it was. Suddenly the strangeness of Quintana of Charyn's face made sense. Because it was a face meant for laughing, but it had never been given a chance.
[the impression of the first time I heard Webern's music in a concert performance] was the same as I was to experience a few years later when I first laid eyes on a Mondriaan canvas...: those things, of which I had acquired an extremely intimate knowledge, came across as crude and unfinished when seen in reality
For, the sense of being which in calm hours rises, we know not how, in the soul, is not diverse from things, from space, from light, from time, from man, but one with them, and proceeds obviously from the same source whence their life and being also proceed. We first share the life by which things exist, and afterwards see them as appearances in nature, and forget that we have shared their cause. Here is the fountain of action and of thought.
. . . the first spring in five free from the rumour of guns across the Channel, a spring anxious to make up for the cold winter, life bursting out after four years of death. All of England raised her face to the sun. . .
To be loved at first sight, a man should have at the same time something to respect and something to pity in his face.
It was in the spring that Josephine and I had first loved each other, or, at least, had first come into the full knowledge that we loved. I think that we must have loved each other all our lives, and that each succeeding spring was a word in the revelation of that love, not to be understood until, in the fullness of time, the whole sentence was written out in that most beautiful of all beautiful springs.
That first match there in Dallas for the G1 was the first time they'd really seen me work as a singles competitor in a really long time. This was kind of a coming-out party. I took it as an opportunity to really kind of reinvent myself. And really start the journey that is The Murderhawk Monster.
I've been studying the Bible for a long time. I remember that after the first five years or so of diligently studying the Word, I didn't feel like I had made any progress. There were a lot of things in my life that were out of order, and I didn't feel like I was getting anywhere.
I suppose that few people ever forget the first sight of a palm-tree of any species. I vividly remember seeing one for the first time at Malaga, but the coco-palm groves of the Pacific have a strangeness and witchery of their own.
That deepest thing, that recognition, that knowledge, that sense of kinship began the first time I saw you,and it is the same now - only a thousand times deeper and tenderer. I shall love you to eternity. I loved you long before we met in this flesh. I knew that when I first saw you. It was destiny. We are together like this and nothing can shake us apart.
A friend of mine had his own theater company, and he jumped me in like I was in a gang. And once I came in, it was just that simple. For the first time in my life, I felt, 'This is a career, this is a life that I think I can grow old doing.' It was love at first sight. I loved being on stage and reading these plays. It was great.
A friend of mine had his own theatre company, and he jumped me in like I was in a gang. And once I came in, it was just that simple. For the first time in my life, I felt, 'This is a career, this is a life that I think I can grow old doing.' It was love at first sight. I loved being on stage and reading these plays. It was great.
First we pre-visualized it [the flying fish scene in 'Life of Pi'] so the actors could act. It took a long time to get that to come to life and to design those coming out of the screen. We had great fun with that. It takes a long time, a year maybe.
The early days of any relationship are punctuated with a series of firsts - first sight, first words, first laugh, first kiss, first nudity, etc., with these shared landmarks becoming more widely spaced and innocuous as days turn to years, until eventually you're left with first visit to a National Trust property or some such.
A composition which dazzles at first sight by gaudy epithets, or brilliant turns or expression, or glittering trains of imagery, may fade gradually from the mind, leaving no enduring impression; but words which flow fresh and warm from a full heart, and which are instinct with the life and breath of human feeling, pass into household memories, and partake of the immortality of the affections from which they spring.
So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?
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