A Quote by Robert Louis Stevenson
Away with funeral music-set
The pipe to powerful lips-
The cup of life's for him that drinks
And not for him that sips.
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Tis now the twenty-third of march,
And this warm sun takes out the starch
Of winter's pinafore -
Methinks The Very pasture gladly drinks
A health to spring, and while it sips
It faintly smacks a myriad lips.
When it comes to Christ, you've got to do the same. Call him crazy, or crown him as king. Dismiss him as a fraud, or declare him to be God. Walk away from him, or bow before him, but don't play games with him.
The best way to get rid of the Devil, if you cannot kill it with the words of Holy Scripture, is to rail at and mock him. Music, too, is very good; music is hateful to him, and drives him far away.
The first cup moistens my lips and throat; The second cup breaks my loneliness; The third cup searches my barren entrail but to find therein some thousand volumes of odd ideographs; The fourth cup raises a slight perspiration-all the wrongs of life pass out through my pores; At the fifth cup I am purified; The sixth cup calls me to the realms of the immortals. The seventh cup-ah, but I could take no more! I only feel the breath of the cool wind that raises in my sleeves. Where is Elysium? Let me ride on this sweet breeze and waft away thither.
We had a great connection with Pedro Almodovar from the beginning. Even before I met him, it was so strange. I felt like I already knew him. I loved him even before I met him. It was so powerful. And when I looked at him in the eyes, this was the feeling that I knew I was going to have with him. It gets bigger and bigger every day. I adore him. It's much more than working together. He's a really special person in my life.
You know that scene at the beginning (of 'Pirate Radio') where I take The Count a cup of tea in the studio, and he shakes my hand, gives me a hug, and slaps me on the arse? That's genuinely the first time Tom Sturridge met Philip Seymour Hoffman. Literally, I'd hadn't seen him or exchanged words with him before. Richard just called me on set and said, 'Take him a cup of tea.' So that's what I did. And the smile of delight as he slaps me on the arse is purely mine.
Man, Dr. Dre just inspired me so much. Just him personally, outside of music, too. You know, him doing the whole Beats thing... People like him, they set the bar high for me to set the bar even higher, you know? It's more than just music when it comes to building a foundation and building your empire.
I kissed him, trying to bring him back. I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive, perpetual. I wanted to press every bit of me against him. I wanted to will something into him. I wanted to give him every bit of life I felt and force him to live.
And though we do have him before our eyes, masked in the Sacred Host, at mass and Benediction and within our lips receive him at communion, yet to hear of him and dwell on the thought of him will do us good.
One thing he discovered with a great deal of astonishment was that music held for him more then just pleasure. There was meat to it. The grouping of sounds, their forms in the air as they rang out and faded, said something comforting to him about the rule of Creation. What the music said was that there is a right way for things to be ordered so that life might not always be just tangle and drift, but have a shape, an aim. It was a powerful argument that life did not just happen.
Christianity set itself the goal of fulfilling man’s unattainable desires, but for that very reason ignored his attainable desires. By promising man eternal life, it deprived him of temporal life, by teaching him to trust in God’s help it took away his trust in his own powers; by giving him faith in a better life in heaven, it destroyed his faith in a better life on earth and his striving to attain such a life. Christianity gave man what his imagination desires, but for that very reason failed to give him what he really and truly desires.
Who shall blame him? Who will not secretly rejoice when the hero puts his armour off, and halts by the window and gazes at his wife and son, who, very distant at first, gradually come closer and closer, till lips and book and head are clearly before him, though still lovely and unfamiliar from the intensity of his isolation and the waste of ages and the perishing of the stars, and finally putting his pipe in his pocket and bending his magnificent head before her—who will blame him if he does homage to the beauty of the world?
She let him come further, his lips came and surging, surging, soft, oh soft, yet on, like the powerful surge of water, irresistible, till with a little blind cry, she broke away.
Nobody can have your psychedelic experience for you; you just have to screw your courage up and raise the cup to your lips or smoke the pipe or whatever it is and face what's in there.
All warfare is based on deception. Therefore, when capable, feign incapacity; when active, inactivity. When near, make it appear that you are far away; when far away, that you are to lure him; feign disorder and strike him. When he concentrates, prepare against him; where he is strong, avoid him. Anger his general and confuse him. Pretend inferiority and encourage his arrogance.
When I was on Raw, I was like Julius Caesar, an all-powerful conquering hero who became so powerful that everyone around him had to conspire against him.
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