A Quote by Robert Lowell

Poetry is not the record of an event: it is an event. — © Robert Lowell
Poetry is not the record of an event: it is an event.
A drawing is an autobiographical record of one's discovery of an event - either seen, remembered or imagined. A 'finished' work is an attempt to construct an event in itself.
Poetry operates by raising our curiosity, engaging the mind by degrees to take an interest in the event, keeping that event suspended, and surprising at last with an unexpected catastrophe.
If I'm doing an event, if it's a charity event, where it's a walk-around event, where I gotta put a thousand small plates out in the course of a four-hour event, I gotta make sure I can do something that I know I can produce, that's going to be consistent and good all night long.
It's a blast to watch. It's a lot more interesting live than it is on record. I mean, it really is a theatrical event. It's a sporting event! Cause you never know what's gonna happen.
Reality is not a function of the event as event, but of the relationship of that event to past, and future, events.
A play's got to be a dramatic event, not a lyrical event. It's not music, it's not poetry, it's not dance, it's not narrative - it's dramaticit's about conflict. It's about forces coming together.
I think if I have one message, one thing before I die that most of the world would know, it would be that the event does not determine how to respond to the event. That is a purely personal matter. The way in which we respond will direct and influence the event more than the event itself.
People used to make records, as in the record of an event, the event of people playing music in a room, and now everything's cross-marketing, its about sunglasses and shoes, or guns and drugs that you choose.
You have to understand that PTSD has to be an event that you experience, a very traumatic event. And actually, there is evidence that brain chemistry changes during this event in certain individuals where it's imprinted indelibly forever and there's an emotion associated with this which triggers the condition.
A non-event ... is better to write about than an event, because with a non-event you can make up the meaning yourself, it means whatever you say it means.
In Tehran, the 444 days of the Iran Hostage Crisis was the first world event in which you could literally have live events beamed into your living room. Now, every world event plays out on its own, and as a media event.
This is not remarkable, for, as we know, reality is not a function of the event as event, but of the relationship of that event to past, and future, events. We seem here to have a paradox: that the reality of an event, which is not real in itself, arises from the other events which, likewise, in themselves are not real. But this only affirms what we must affirm: that direction is all. And only as we realize this do we live, for our own identity is dependent upon this principal.
I am convinced that the first lyric poem was written at night, and that the moon was witness to the event and that the event was witness to the moon. For me, the moon has always been the very embodiment of lyric poetry.
If an event can be produced by a number n of different causes, the probabilities of the existence of these causes, given the event (prises de l'événement), are to each other as the probabilities of the event, given the causes: and the probability of each cause is equal to the probability of the event, given that cause, divided by the sum of all the probabilities of the event, given each of the causes.
An event horizon, or the point of no return, is only a byproduct of the bending of space. However, electricity and magnetism, by themselves, have no event horizon. It gets complicated, however, if a black hole has charge, and then this new solution does have an event horizon.
The secret of the world is the tie between person and event. Person makes event and event person.
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