A Quote by Robert Ludlum

Characterization is integral to the theatrical experience. — © Robert Ludlum
Characterization is integral to the theatrical experience.
Theatrical experience will always be the norm in India. In fact, as a producer and as an actor, I always hope that the magnum opus theatrical experience should always continue.
Characterization is not divorced from plot, not a coat of paint you slap on after the structure of events is already built. Rather characterization is inseparable from plot.
The black immigrant experience in the U.S. must be understood not in contrast to the African American experience but as an integral part of it.
I am in the theatrical profession myself, my wife is in the theatrical profession, my children are in the theatrical profession.I had a dog that lived and died in it from a puppy; and my chaise-pony goes on, in Timour the Tartar.
In art and life we're always reading bodies and behaviors (and skies and skylines or whatever), constructing brief and shifting coherences, and I guess I want to capture that process of characterization and re-characterization instead of offering up a few stable, easily-summarized individuals.
Hard science fiction, which is what I write, often is rightly criticized for having either negligible or unbelievable characterization, but the science I've actually studied most post-secondarily is psychology, and characterization is the art of dramatizing psychological principles.
As far as the theatrical experience is concerned, I will be highly disappointed if that goes away. I have grown up watching films in theatres so that community experience should never go.
With most of the songs and music that I've composed, irrespective of the myriad videos made, I was always careful not to overly define the experience, leaving room for people to internalize things for themselves, making their experience more integral.
People don't understand that when you come into any theatrical experience, you've got to come locked and loaded, that you're a part of the experience, too. You can't come with your arms crossed. Be open to it.
I look for gravitas and substance that can outlast the theatrical experience.
I'm not particularly precious about the theatrical experience any more.
Bereavement is a universal and integral part of our experience of love.
Without doubt, if we are to go back to that ultimate, integral experience, unwarped by the sophistications of theory, that experience whose elucidation is the final aim of philosophy, the flux of things is one ultimate generalization around which we must weave our philosophical system.
UG [universal grammar] may be regarded as a characterization of the genetically determined language faculty. One may think of thisfaculty as a 'language acquisition device,' an innate component of the human mind that yields a particular language through interaction with present experience, a device that converts experience into a system of knowledge attained: knowledge of one or another language.
I'm such a proponent of the theatrical experience and the cinematic experience, and we've reached this point where the magicians are not only giving away their tricks, but they're telling us how they're doing the tricks in advance before you even come to the magic show. It'd be nice to get a little of the mystery back in.
Opera is a very stimulating place to work, and I believe it offers the most intense theatrical experience possible.
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