The best Chateauneuf-du-Papes are among the most natural expressions of grapes, place and vintage. Chateauneuf-du-Pape vineyards are farmed organically or biodynamically, and the region's abundant sunshine and frequent wind (called 'le mistral') practically preclude the need for treating the fields with herbicides or pesticides.
Although the French appellation system has its roots in the 1923 system created in Chateauneuf-du-Pape by Baron Le Roy, proprietor of the renowned Chateau Fortia, Chateauneuf-du-Pape never developed a reputation for quality or achieved the prestige enjoyed by such regions as Burgundy and Bordeaux.
I love any type of cheese, preferably on a large board with a glass of Chateauneuf-du-Pape.
The convergence of the Rhone and Saone. Paul Bocuse. The birthplace of cinema. Chateauneuf-du-Pape just a few miles down the road. It does not get much better than Lyon.
We are delightfully trapped by our memories. I can't drink a bottle of Chateauneuf-du-Pape Vieux Telegraphe without revisiting a hotel bistro in Luzerne, Switzerland, where I ate a large bowl of a peppery Basque baby goat stew. A sip and a bite. A bite and sip. Goose bumps come with the divine conjunction of food and wine.
La chose la plus importante a' toute la vie est le choix du me tier: le hasard en dispose. The most important thing in life is to choose a profession: chance arranges for that.
Live in such a way as, when you come to die, you will wish to have lived.
[Ger., Lebe, wie Du, wenn du stirbst,
Wunschen wirst, gelebt zu haben.]
L'imagination est la reine du vrai, et le possible est une des provinces du vrai. Imagination is the queen of the truth and the possible is one of the provinces of the truth.
Le lecteur, lui non plus, ne voit pas les choses du dehors. Il est dans le labyrinthe aussi. The reader [as well as the main character] does not view the work from outside. He too is in the labyrinth.
Le geai pare des plumes du paon. A bluejay in peacock feathers.
After the Second World War, I returned to California to study composition with Darius Milhaud, who wrote wonderful works like 'Le Boeuf sur le Toit' and 'La Cretion du Monde.' I especially enjoy his work for two pianos, 'Scaramouche.
After the Second World War, I returned to California to study composition with Darius Milhaud, who wrote wonderful works like 'Le Boeuf sur le Toit' and 'La Cretion du Monde.' I especially enjoy his work for two pianos, 'Scaramouche.'
Entre le ro" le de sauveur et celui de complice du bourreau,j'aper c° ois tout au plus l'incommode emploi de victime. Between the role of saviour and that of butcher's accomplice, all I see left for you is the unsavoury role of victim.
When I look back now, it must have been like Paris was at the time of Le Sacre du Printemps.
When I was 16 and on a tour of Europe, I fell in love with Le Corbusier's Notre Dame du Haut chapel in Ronchamp, France. I'd quite like to live in it.
Happy the poet who with ease can steer
From grave to gay, from lively to severe.
[Lat., Heureux qui, dans ses vers, sait d'une voix legere
Passer du grave au doux, du plaisant au severe.]
It is always sad to leave a place to which one knows one will never return. Such are the melancolies du voyage: perhaps they are one of the most rewarding things about traveling.