A Quote by Robert M. Pirsig
You look at where you're going and where you are and it never makes sense, but then you look back at where you've been and a pattern seems to emerge.
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When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they're not obvious at the time. So, when I look back at my own work, I could easily write a very convincing sort of account of it that made it look like I had planned it all out from day one and that this led logically to that and then I did this and then that followed quite naturally from that. But that's not how it felt.
We can look at the pain in our lives. We can look at the way we have been mistreated, and we can have an attitude of, I will never amount to anything. I have been wrong about people all my life. I am going to pay somebody back for this.
Awards are not something that I measure my work by. I've been so fortunate and I've gotten to do such terrific things that it seems petty to look back and say, 'Oh, I should have gotten that prize.' I've been so blessed, it's hard to look back and think anything but that, so I have no disappointments.
I'm going to be looking forward, asked to be judged on my record, not taken back as has been the - in a sense, the tendency throughout politics in Northern Ireland, is to always look back, always look at what was said a long time ago, instead of looking forward.
I turn and I slowly walk away and I don't look back. It has always been a fault of mine, but it is the way I am. I never look back. Never.
War never accomplishes anything. It's never going to look good in the history books. People are never going to look back and think, 'He started a lot of wars; what a great leader he was!' That's not the way it works. God knows how many more of these things we're going to need before it starts to sink in.
The thing about looking back over Clinton's presidency, and probably anybody's presidency, is that when you look back, the events all line up in a way that makes sense. At the time, you don't know where it's going.
It only seems jarring when you look back on the work I've done. I think if you had to map that out at the beginning and you said, "Right, sit down, this is what you're going to be doing," you'd probably freak out. But I'm someone who really enjoys not being himself. So if you consider that, then it all sort of makes sense. And I just think that's the job of an actor. I guess that's the variation that you're talking about. It's probably a byproduct of just constantly looking for something different, because that's what I feel like I'm supposed to do.
If one tries to think about history, it seems to me - it's like looking at a range of mountains. And the first time you see them, they look one way. But then time changes, the pattern of light shifts. Maybe you've moved slightly, your perspective has changed. The mountains are the same, but they look very different.
I tend not to look too much back; I tend to look forward. So, I suppose, I know, I've had probably most of my life, and there's less going forwards than there is going back, but I prefer to look in the future.
I think certain periods of history don't get dealt with because I think historians, and it's their job, but they look back and look for patterns. They look for sequences and they look for reasons, and certain periods of history don't fit with the general pattern of 1500 to the 20th century, during which there's the creation of the United States.
When I look back on everything I've done, it all somehow makes sense to me. But it doesn't make sense when you're actually doing it.
Videos are tricky because stuff sounds amazing on paper and it seems like it's going to be this mystical experience and you're going to look back and go, "Wow, that was magic." But more times than not, it doesn't end up that way, so I never know what I'm going to get.
Awards are not something that I measure my work by. I've been so fortunate and I've gotten to do such terrific things that it seems petty to look back and say, 'Oh, I should have gotten that prize.' I don't look at it that way.
I've never been a guy to sit back and look at all my trophies and look at all my awards; that's not me.
Look at the pattern this seashell makes. The dappled whorl, curving inward to infinity. That's the shape of the universe itself. There's constant pressure, pushing towards pattern. A tendency in matter to evolve into ever more complex forms. It's a kind of pattern gravity, a holy greening power we call 'Viriditas' and it is the driving force in the cosmos. Life, you see.
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