A Quote by Robert M. Pirsig

Art is the Godhead as revealed in the works of man. — © Robert M. Pirsig
Art is the Godhead as revealed in the works of man.
God cannot be represented by an image. We ought not to think that the Godhead is like unto gold, or silver, or stone, graven by art and man's device. We wrong God, and put an affront upon him, if we think so. God honoured man in making his soul after his own likeness; but man dishonours God if he makes him after the likeness of his body. The Godhead is spiritual, infinite, immaterial, incomprehensible, and therefore it is a very false and unjust conception which an image gives us of God.
As man, as beast, as an ephemeral fly begets, Godhead begets Godhead, For things below are copies, the Great Smaragdine Tablet said. Yet all must copy copies, all increase their kind.
My soul had found All happiness in its own cause or ground. Godhead on Godhead in sexual spasm begot Godhead. Some shadow fell. My soul forgot Those amorous cries that out of quiet come And must the common round of day resume.
Works of art imitate and provoke other works of art, the process is the source of art itself.
Poetry offers works of art that are beautiful, like paintings, which are my second favorite work of the art, but there are also works of art that embody emotion and that are kind of school for feeling. They teach how to feel, and they do this by the means of their beauty of language.
There was a saying that a man's true character was revealed in defeat. I thought it was also revealed in victory.
Wishing to open my mouth, O brethren, and speak on the exalted theme of humility, I am filled with fear, even as a man who understands that he is about to discourse concerning God with the art of his own words. For humility is the raiment of the Godhead.
The conception of Godhead formed by some devout philosophers and mystics has quite rightly been so immeasurably vast, though still assuredly utterly inadequate and necessarily beneath reality, that the notion of a God revealed in human formborn, sufferin.
Although photography generates works that can be called art-it requires subjectivity, it can lie, it gives aesthetic pleasure-photography is not, to begin with, an art form at all. Like language, it is a medium in which works of art (among other things) are made.
Those who make pictures of the Savior, who is God as well as man in one inseparable person, either limit the incomprehensible Godhead to the bounds of created flesh, or confound his two natures like Eutyches, or separate them, like Nestorius, or deny his Godhead, like Arius; and those who worship such a picture are guilty of the same heresy and blasphemy.
a man is very revealed by his wife, just as a woman is revealed by her husband. People never marry beneath or above themselves, I assure you.
There is no loftier mission than to approach the Godhead more nearly than other mortals, and by means of that contact to spread the rays of the Godhead through the human race.
They are works of art that can be considered works of art but don't have to be in the collection of the Metropolitan Museum.
I can worship Nature, and that fulfills my need for miracles and beauty. Art gives a spiritual depth to existence -- I can find worlds bigger and deeper than my own in music, paintings, and books. And from my friends and family I receive the highest benediction, emotional contact, and personal affirmation. I can bow before the works of Man, from buildings to babies, and that fulfills my need for wonder. I can believe in the sanctity of Life, and that becomes the Revealed Word, to live my life as I believe it should be, not as I'm told to by self-appointed guides.
Ancient art has a specific inner content. At one time, art possessed the same purpose that books do in our day, namely: to preserve and transmit knowledge. In olden days, people did not write books, they incorporated their knowledge into works of art. We would find a great many ideas in the works of ancient art passed down to us, if only we knew how to read them.
Beauty is not the purpose of creation, it is its reward. Its appearance, often late in the day, is no more than an indication that the disrupted equilibrium between man and nature has once again been restored by art. Submitted to this test, what remains of contemporary works of art?
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