A Quote by Robert M. Pirsig
That's the classical mind at work, runs fine inside but looks dingy on the surface.
Related Quotes
I would like my work to be recognized as being in the classical tradition (Coptic, Egyptian, Greek, Chinese), as representing the Ideal in the mind. Classical art cannot possibly be eclectic. One must see the ideal in one's own mind. It is like a memory - an awareness -of perfection.
I think if there's ever been a time we need music more, it's now. For our kids, it teaches you to take time, to listen, to work together, to listen to other people, and to use your brain. That's why classical music doesn't work when you throw it at people in a subway platform while they're rushing to work. Classical music is something that needs to be contemplated, you have to be completely present with an active mind that's working. It's not background music.
It is the surface I am interested in. Because the surface is the inside.
I know how I like my house. I like it cute and cozy and a little funky, and I like it to feel lived in and worn, and I like the things inside of it to work. That's all. And for me, it's fine that my house's interior suggests that I might not spend every waking moment thinking about how it looks.
As you become more rooted inside -- as you drink from this silent stream of life that runs beneath the surface of everything -- as you live from that depth of your own being more and more, then you’ll be able to rise taller and stronger in this world; more than you may have ever thought possible.
Video looks like reality, it's more immediate, it has a verite surface to it. Film has this liquid kind of surface, feels like something made up.
The [Moon] surface is fine and powdery. I can kick it up loosely with my toe. It does adhere in fine layers like powdered charcoal to the sole and sides of my boots. I only go in a small fraction of an inch, maybe an eighth of an inch, but I can see the footprints of my boots and the treads in the fine sandy particles.
The surface of the moon is like nothing here on Earth! It's totally lacking any evidence of life. It has lots of fine, talcum-powderlike dust mixed with a complete variety of pebbles, rocks, and boulders. Many pebbles, fewer rocks, and even fewer boulders naturally make up its surface. The dust is a very fine, overall dark gray. And with no air molecules to separate the dust, it clings together like cement.
All a work of art can do is present the surface. I can't know the insides of people. I know very little about the inside of myself.
The way to see what looks good and understand the reasons it looks good, and to be at one with this goodness as the work proceeds, is to cultivate an inner quietness, a peace of mind so that goodness can shine through.
Unlike a pressed or blown-glass part, which traditionally has smooth internal surface features, a printed part can have complex surface features on the inside as well as the outside.
It was eerie. I saw myself in that machine. I never thought my work would come to this. Upon seeing a distorted image of his face, reflected on the inside cylindrical surface of the bore while inside an MRI (magnetic-resonance-imaging) machine-a device made possible by his early physical researches on nuclear magnetic resonance (1938).
Usually when I draw, I try to be in a contemplative mood. I try to keep my mind as empty, vacant and tranquil as possible. The outer mind is like the surface of the sea. On the surface, the sea is full of waves and surges; it is all restlessness. But when we dive deep below, the same sea is all peace, calmness and quiet, and there we find the source of creativity.
I use a cake tester to check the doneness of everything from fish to vegetables. The point on it is duller than a paring knife, so you get a much better feel for how finished something actually is. Oh yeah, and when it comes to cake, a toothpick is the move. The rougher surface is more likely to show you what the crumb inside looks like.
Look into your own heart because who looks outside, dreams, but who looks inside awakes.
The surface of American life looks smooth, prosperous, peaceful. But underneath, fault-line shifts in family and work life have led us into what some have called 'advanced insecurity.'
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