A Quote by Robert M. Utley

Incredibly deep research combines with the talents of a fine historian and writer to produce superb narrative history. The true character and relationship of these two iconic westerners emerge to suppress myth and correct more than a century of tomes laden with bad history.
Myth is much more important and true than history. History is just journalism and you know how reliable that is.
I consider myself a writer who happens to write about history, rather than a historian. I was an English major in college. What I've learned about history is in the field, so to speak. Going into the archives and working with it directly.
Pastoureau combines a charming, conversational tone with a haughtiness I found entirely endearing. A director of studies at the Ecole Pratique des Hautes Etudes at the Sorbonne in Paris, he writes from a position of professorial confidence. He has conducted extensive research into the history of colour for a quarter century and his aim is to correct misapprehensions and banish ignorance. His style is not to inquire, explore or interrogate, in the fashion of academic studies today. It is to impart knowledge.
Sometimes people get fairly obscure just for the creative license of it, and that can backfire. Iconic stories are iconic for a reason, and there are so many incredible, iconic history stories that have not been told that we don't need to go too deep in the well yet.
Great historians can make the discovery of the real story more exciting than the romantic myth. Stacy Schiff, a great historian as well as a wonderful writer, peels away the layers to reveal the true Cleopatraa much more interesting woman than the Hollywood version and, as it turns out, a formidable queen after all.
The contemporary historian never writes such a true history as the historian of a later generation.
I may remind you that history is not a branch of literature. The facts of history, like the facts of geology or astronomy, can supply material for literary art; for manifest reasons they lend themselves to artistic representation far more readily than those of the natural sciences; but to clothe the story of human society in a literary dress is no more the part of a historian as a historian, than it is the part of an astronomer as an astronomer to present in an artistic shape the story of the stars.
There is nothing truer than myth: history, in its attempt to realize myth, distorts it, stops halfway; when history claims to have succeeded, this is nothing but humbug and mystification. Everything we dream is realizable. Reality does not have to be: it is simply what it is.
I can remember picking up weighty tomes on the history of science and the history of philosophy and reading those when I was small.
The challenge for a writer looking at history is to figure out what is history and what is myth. After all, what you are looking at is an interpretation of history, and so at some level, it becomes an interpretation of an interpretation.
David Corbett has combined his unique talents as a gifted writer and an extraordinary teacher to create a superb resource on character development. Deftly crafted and impeccably researched, The Art of Character is a thoughtful and insightful book that is immensely readable and practical.
History is laden with belligerent leaders using humanitarian rhetoric to mask geopolitical aims. History also shows how often ill-informed moralism has led to foreign entanglements that do more harm than good.
Caution in handling generally accepted opinions that claim to explain whole trends of history is especially important for the historian of modern times, because the last century has produced an abundance of ideologies that pretend to be keys to history but are actually nothing but desperate efforts to escape responsibility.
I am an historian, I am not a believer, but I must confess as a historian that this penniless preacher from Nazareth is irrevocably the very center of history. Jesus Christ is easily the most dominant figure in all history.
History is the myth, the true myth, of man's fall made manifest in time.
I tend to like to read history - recent history, because I find that much more intriguing than just a writer's imagination.
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