A Quote by Robert MacNeil

And I'm in favor of that because I have a gay son, who's a very successful theater designer. — © Robert MacNeil
And I'm in favor of that because I have a gay son, who's a very successful theater designer.
How a designer gets from thought to thing is, at least in broad strokes, straightforward: (1) A designer conceives a purpose. (2) To accomplish that purpose, the designer forms a plan. (3) To execute the plan, the designer specifies building materials and assembly instructions. (4) Finally, the designer or some surrogate applies the assembly instructions to the building materials. What emerges is a designed object, and the designer is successful to the degree that the object fulfills the designer's purpose.
Just because I'm in favor of gay rights doesn't mean that I'm gay or doesn't mean I'm some kind of 'sissy' or something. That's the language that you hear in locker rooms.
When I was doing theater, I was very successful at believing that I was great, God's gift to the theater.
Here was long period on my life when I was very disappointed by the fact I wasn't gay. Because I grew up going to gay clubs, living in New York and LA, both very gay cities.
I was inadvertently raised in the 'gay community.' I had straight parents, but I spent massive amounts of time at a very early age with gay, theater-hopeful thirty-somethings.
I have never been in favor of gay marriage, and I am not in favor of gay marriage.
It may be unfathomable in architecture, but it is very practical, or routine, for a person in theater to use action. You have the line, "Come home, son," but you can't play that line by going out and being a mother; you can't be a noun. But you can play to smother your son; you can play to grovel to your son. Again, the real information is carried in action. And, to an annoying degree, theater people talk to each other in infinitive expressions. If you don't have a vivid verb to describe what you're doing, you're probably going to be a pretty bad actress.
I was a gay kid in high school in the late '90s, and I was in theater club. I was never a thespian. I was much more of a lighting guy or a backstage guy. Because I wanted to do something easy for the rest of my life, I thought, "Maybe I'll go and apply to colleges that specialize in theater set design. I'll do that. That's what I want to do". With theater, really, I'd be around the gays.
Now the Gielgud Theater is a very famous old theater, because it was originally called the Globe, and the Globe is where my mother made her very first professional appearance in London, was at the Globe Theater.
The reason why many clients don't value design is because haven't had a designer prove to them the value of it. You need to prove it to clients who've hired a bunch of shitty designers and their business has not been that successful. When they hire a good designer, they see the difference.
I feel like there's an obsession with pace right now in theater, with things being very fast and very witty and very loud, and I think we're all so freaked out about theater keeping audiences interested because everybody's so freaked out about theater becoming irrelevant.
My wife... now travels with me everywhere - not because she nearly lost me, but because my kids are all grown up and my son is now a very successful actor, Rafe Spall.
My favorite leader is George Washington. Because he came from very modest circumstances. He wasn't the son of a plantation owner. He was the son of a farmer. He had no formal education, very frustrated. He started writing a diary when he was in his teens, and he wrote things like, "When I grow up, I want to be respected. When I grow up, I want to be successful. When I grow up, I want to know things." What I find fascinating about Washington is he wanted to make something of himself.
I hate when pastors have a gay son and then they become pro-gay.
I didn't have a lot of homies in school when I was young because I was gay and weird and mean, so I went to theater class because I was like, 'Yo, I need a hobby.'
I think there is gay comedy, because I think most gay comics are very very very in touch with that identity.
This site uses cookies to ensure you get the best experience. More info...
Got it!