A Quote by Robert Mangold
I like setting up problems for the viewer, like how do you visually deal with a ring when what’s usually in the center of a painting is very important? It's like the main course isn't there and you're having to deal with everything around what would normally be the main course.
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The wish fulfillment of growing younger is not necessarily all it's cracked up to be. You have new problems that arise which you are not anticipating and you deal with the same problems you would deal with if you were ageing normally: what is the end of life about? What have I accomplished?
Often for hors d'oeuvres, I serve room temperature vegetables, something like that, so that the main course might be quite rich but the first course has balanced it out.
Protestantism, of course, is much more explicitly divided into different traditions - the Pentecostals, the Anglicans. But there is the main tradition of Protestantism that comes out of the Reformation and that produced people like Kant and Hegel and so on, who are not normally thought of as being people writing in a theological tradition, although Hegel, of course, wrote theology his whole life.
I never know how to give advice to a writer because there's so much you could say, and it's hard to translate your own experience. But of course, I always try. The main thing that I usually end up saying is to read a lot. To read a great deal and to learn from that.
A great deal of contemporary criticism reads to me like a man saying, 'Of course I do not like green cheese. I am very fond of brown sherry.
I think [Iranian deal] was the worst deal I've ever seen negotiated. The deal that was made by the [Barack] Obama administration. I think it's a shame that we've had a deal like that and that we had to sign a deal like that and there was no reason to do it and if you're going to do it, have a good deal.
Having to deal with, like, family problems in front of the world is very difficult.
The character is important, of course, but I like when there's intelligence in a movie. I like when it's, how do you say, sensible. So for me a film is very subjective, and it's a point of view. I like to be brought into a world of a director.
Augusta is a very unique golf course. It's a long hitters' course; main reason is because the greens are so severe, and the areas where they put the pin is such a small area. The little plateaus and undulations mean it's incredibly important to be close to that pin so you can be aggressive.
I think the main thing was me having a daughter. I just knew that I had to be a man, so I grew up real quick. Then I started caring about my music more, and I feel like that was the main change between 'Killer Instinct' and 'TRAPSOUL'. I was just like, 'I need to take this more serious and watch the things I say'.
You really see life around the principals to be as important as the main, principal actors. That's what cinéma vérité taught me - that it's not a question of having a main character, a great actor, and the rest is unimportant. Every detail, every face in the crowd is important.
You do a deal - business deal, real estate deal, stock deal - protect yourself at all times. I got that from boxing. That's from A to Z: that covers everything in life. And it started when I heard it in the ring. They don't say that in basketball or football or any other sport that I know of but boxing.
There is no economic policy. That's really important to say. The general modus operandi of the Bushies is that they don't make policies to deal with problems. They use problems to justify things they wanted to do anyway. So there is no policy to deal with the lack of jobs. There really isn't even a policy to deal with terrorism. It's all about how can we spin what's happening out there to do what we want to do.
I take pride in how great my relationship is with Chris, but having said that, of course, in this crazy world where he's off doing movies and I'm in L.A. raising our child, of course I'm going to feel vulnerable, like any normal human would.
When I'm in Los Angeles, sometimes I hesitate saying that I'm an actor because people are like, 'Of course you are.' And I'm like 'No,' not, 'Of course I am.' In L.A., being an actor is like a pastime: everybody there is like, 'I was on this reality show; I'm an actor.' It becomes a word that is loosely thrown around.
I'm not a critic. I'm not a journalist. I'm not a philosopher. Arguing that punk has run its course is like saying painting ran its course after the Renaissance. Punk is an idea. It's freedom. And it'll be around 200 years from now for the people who want it.
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