A Quote by Robert Mankoff

I'm very fond of the strictly visual cartoons I did when I was breaking in in the 1970's. Over time I migrated to a more verbal approach. — © Robert Mankoff
I'm very fond of the strictly visual cartoons I did when I was breaking in in the 1970's. Over time I migrated to a more verbal approach.
When you look back at the older cartoons, they're very much more observational cartoons. And the cartoon, the people in the cartoons are not making the joke.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
Football is more verbal in Holland, but there is a different approach in England.
The human digestive and visual systems did clearly evolve over a very long period.
I went to grad school because I wanted to learn the rules so I would know how to break them. Breaking the rules is saying, 'I'm breaking in, OK? I'm breaking in your very comfortable little house over here, and I'm going to take a room.'
The comics medium has some unusual features that do make it very different, in that it's combining a verbal narrative with a visual one that allows for much richer possibilities of transmitting information.
. . . you did not seem to me over-fond of money. And this is the way in general with those who have not made it themselves, while those who have are twice as fond of it as anyone else. For just as poets are fond of their own poems, and fathers of their own children, so money-makers become devoted to money, not only because, like other people, they find it useful, but because it's their own creation.
You have to be very fond of men. Very, very fond. You have to be very fond of them to love them. Otherwise they're simply unbearable.
I watched a ton of cartoons growing up, but I don't remember specifically what networks they were on, I'll be honest. But I did like cartoons as a kid.
I think so. I can't think of anything that requires more finesse than comedy, both from a verbal and visual point of view.
PowerPoint is like being trapped in the style of early Egyptian flatland cartoons rather than using the more effective tools of Renaissance visual representation.
The literary artist lends verbal depth to the visual. The visual artist provides visible articulation for the literary.
When I'm playing with the band or playing with some projects or some of my own stuff it's about the musical approach. That would be the more turntablist approach to things of where it's strictly about music.
The great thing with comedy is that I don't memorize ahead of time like I did on 'Breaking Bad.' With 'Breaking Bad,' I wanted to know those words inside and out, really have my lines down so I could say them verbatim. But with comedy, you keep it a lot more loose.
There is something very pleasurable about watching cartoons, a really warm, comfortable feeling. My taste is quite broad, but most of all I like American cartoons. Early Disney, Betty Boop, Roadrunner, Ren & Stimpy, South Park. Sometimes I'll watch Pokemon or bad 80s cartoons.
His wardrobe was extensive-very extensive-not strictly classical perhaps, not quite new, nor did it contain any one garment made precisely after the fashion of any age or time, but everything was more or less spangled; and what can be prettier than spangles!
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