A Quote by Robert Mankoff

The most offensive thing that ever occurred in 'The New Yorker' would be, like, the mildest thing at a Chris Rock concert. — © Robert Mankoff
The most offensive thing that ever occurred in 'The New Yorker' would be, like, the mildest thing at a Chris Rock concert.
Some of Mr. Gregory's poems have merely appeared in The New Yorker ; others are New Yorker poems: the inclusive topicality, the informed and casual smartness, the flat fashionable irony, meaningless because it proceeds from a frame of reference whose amorphous superiority is the most definite thing about it they are the trademark not simply of a magazine but of a class.
The most influential thing was the two Chris Rock specials that came out when I was in high school. I was obsessed with that stuff.
Another example of what I have to put up with from him. But there was a time I was mad at all my straight friends when AIDS was at its worst. I particularly hated the New Yorker, where Calvin [Trillin] has published so much of his work. The New Yorker was the worst because they barely ever wrote about AIDS. I used to take out on Calvin my real hatred for the New Yorker.
When I go to a sci-fi convention, oh God, it's the closest thing to being a rock star I will ever know in this life. I want to be a rock star, don't you? It's a good thing to be, a rock star.
Why does the Destroyer hate Artemis? (Cassandra) Love. Why else? Love, hatred, and revenge are the most powerful emotions on earth. Apollymi wants revenge on Artemis for killing the one thing she loved most in the universe. (Katra) And that is? (Cassandra) I would never betray either one by saying it. (Katra) Would you write it down?...Oh, yeah, like the two of you weren’t thinking the same thing. (Chris)
I suppose each project is a new thing, so there's all this excitement and nerves about this new thing. Every single thing is like a new thing, so it's never what I expect. I don't know what to expect for the next thing. There are always different people. It's interesting.
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.
That was the most offensive thing I've ever seen in 20 years of teaching - and that includes an elementary school production of hair.
Andy was not a hippie or rebel but more like a mischievous child. He was never out to destroy everything. He became a New Yorker, and New Yorkers know, like the media, what's going on around them is a fashion thing that will change to something else.
The Toddstock thing is the closest thing, I have to say, a Grateful Dead sort of thing where it all lapses over from the formality of a concert into more of a lifestyle thing.
Falling for him would be like cliff diving. It would be either the most exhilarating thing that ever happened to me or the stupidest mistake I'd ever make.
In the end, the only thing the true New Yorker knows about New York is that it is unknowable.
I started when Chris Rock did 'Bigger & Blacker.' I used to watch that before I went onstage as inspiration to get hype, but I noticed I started taking on his cadence and talking like him. I was also doing the New York-style comedy thing, which was angry and annoyed. I was creating a persona instead of trying to embrace my own.
Chris Rock does the political thing really well, but that never worked for me.
I think one of the best jobs in the universe must be being the editor of 'The New Yorker', but there are a number of magazines that I'd be excited to be the editor of. They would be 'Wired', 'The New Yorker' and probably, 'Vogue'.
It had never occurred to me before but everything in New York is built upon another thing, nothing is entirely by itself, each thing as strange as the last, and connected.
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