A Quote by Robert Mankoff

I was the founder of the 'Cartoon Bank' in the '90s. I was interested in finding ways for cartoonists to supplement their incomes. — © Robert Mankoff
I was the founder of the 'Cartoon Bank' in the '90s. I was interested in finding ways for cartoonists to supplement their incomes.
I was the founder of the Cartoon Bank in the 90s. I was interested in finding ways for cartoonists to supplement their incomes.
Student cartoonists as well as professionals should always be careful that they're not doing a cartoon that already has been done.
Founders are supposed to be not at all interested in selling. But there is a price at which a founder can't help being interested.
I guess both Nabokov and Popper had, in different ways, immunized me against the fashion for French-influenced literary theory in the '70s, '80s, and '90s - "immunized" in the sense that they made me no longer susceptible to this epidemic cultural virus. I looked into Derrida and found that he rarely seemed to be interested in truth; he was more interested in making a splash.
When I originally went into government early in my career, it was because I was interested in finding ways to help people by finding policy solutions that would help people. And what's amazing about Facebook is that we're able to use our platform to help people, too.
Amazingly, much of the best cartoon work was done early on in the medium's history. The early cartoonists, with no path before them, produced work of such sophistication, wit, and beauty that it increasingly seems to me that cartoon evolution is working backward. Comic strips are moving toward a primordial goo rather than away from it . . . Not only can comics be more than we're getting today. but the comics already have been more than we're getting today.
In the '80s and '90s, I was really interested in, moved by, exhilarated by, and troubled by rap in all the ways a white person from Brookline, Massachusetts should be. That was music that was making trouble, and it was interesting and provocative trouble.
Every generation has a different ways of telling a story. We had a great run in the early '90s, into the mid-'90s, and we became a little more executive-driven as we got into the 2000s.
I have always been interested in finding new ways to play and have looked at handball keepers and ice hockey goal-minders. It helps me.
I was always interested in finding ways of meeting the familiar very differently, specifically the feminine familiar.
One way to escape the universe in which everything is a kind of media cartoon is to write about the part of your life that doesn't feel like a cartoon, and how the cartoon comes into it.
People always try to put a title or a symbol on you. If you work in a bank, you are a banker. For me, they see a co-founder of Facebook.
My strength is in finding ways to make the government work for the people: finding waste, or money that is not being properly used... or finding opportunities that are out there and making them work for the community.
I was Chairman of the Federal Reserve Bank of Kansas City. As you know, there are twelve banks and they have their citizens board, and I got elected to the Fed Chairmanship for the Federal Reserve Kansas City Bank back in the mid-'90s. It might have been 1995-'96.
The cartoon me writes the books cartoon people read in the cartoon world, because they need things to read there too.
I don't have any interest in doing superhero franchise movies. I don't connect to the fantastic and I'm not a comic person, it's just not my thing, so I'm not looking in that direction - but ambitious films on a big scale I'm very interested in looking at. I'm interested in reality, I'm interested in people, so it's just about finding a project I'm interested in.
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