A Quote by Robert Mapplethorpe
I think that it was a great advantage to go into photography not knowing much about it. Not thinking. I think one of the problems with many photographers today is that they never see for themselves, but just like everybody else.
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I don't think it's necessary to put your feelings about photography in words. I've read things that photographers have written for exhibitions and so forth about their subjective feelings about photography and mostly I think it's disturbing. I think they're fooling themselves very often. They're just talking, they're not saying anything.
Photography should be redefined. It's largely technical... Photography is just unbelievably limiting. I always think of David Bailey and all the fashion photographers - they overlap, you can't always tell who did it. I don't really even like photography all that much. I just think it's so overdone.
I love Texas. Even if I am a little bit famous or a little bit popular... You go to places where you're not and just live like everybody else lives. I'm not crazy about this country in terms of the shape it's in, but I do think there are lots of great pieces to go to. I think I should take advantage of it while this country still exists.
People don't just get upset. They contribute to their upsetness. They always have the power to think, and to think about their thinking, and to think about thinking about their thinking, which the goddamn dolphin, as far as we know, can't do. Therefore they have much greater ability to change themselves than any other animal has.
I try to have an open ear, but at the end, it would never change direction to where I think I should go. Because if I listened to everybody else, they're thinking about what's right now or what was the last thing - they're not thinking about what's next.
People don't just get upset. They contribute to their upsetness. They always have the power to think, and to think about their thinking, and to think about thinking about their thinking, which the goddamn dolphin, as far as we know, can't do. Therefore they have much greater ability to change themselves than any other animal has, and I hope that REBT teaches them how to do it.
I'm alive today, therefore I'm just as much a part of our time as everybody else. The times will just have to enlarge themselves to make room for me, won't they, and for everybody else.
I think that we Americans, in particular, tend to think too directly about problems. If there's a problem we want to basically go in with a screwdriver or else drop bombs on it. A better way to solve problems is to think indirectly and try to change the environment. So I think you can gain much better self-control not so much by working on yourself as by looking at the situations you're in and the people you hang around, and changing your environment.
I never heard so many kids talk about just doing anything to be famous. I mean, yeah, fame is part of the deal when you're a kid and you think, I wanna go into music, but everybody that I knew was really doing it because of their love for it. I don't see so much of that anymore.
Most photographers go and photograph something that they see, that exists, and that somebody else has created - they document it. But fashion photographers have to create what they're going to photograph. We have to go into the thought and build it up, get a girl, get a guy, get a situation, get the house, get the decor. It's the meaning of the word photography: "writing with light."
When you travel you realize how small you are. You need to be humble. You can't be a big, brash American. You think you have problems. You leave the States and you see people have bigger problems than you, much worse problems than you. They have nothing to eat, they have no water, they have no shelter, they have a terrible government. So you realize we complain about the government, we complain about food, whatever it is, and go somewhere else and you think, "Now I realize," you say, "Why people want to come to America."
I enjoy photography. It's a lot of fun. It keeps me on my P's and Q's and, when you think about it, most people think photography is just going to a game. But you start to think, dang, that would be a good picture. Or you're driving along and see something and think, 'that would be nice.'
I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
[Photography] can be tiny, on your phone, or it can be a billboard, or a film-sized projection, or printed in a magazine. I don't think we've been in a time before when so much photography is available in so many formats, when everybody is a photographer.
Everybody is looking at their base business and saying, "What else is it? Sure, we do this, but while we're doing that, what else do we know about our customer, and what does that enable us to do?" That comes from the access to information and the ability to analyze it with a speed they never had. I think everybody is thinking that way.
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