A Quote by Robert Mapplethorpe
With photography, you zero in; you put a lot of energy into short moments, and then you go on to the next thing.
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One thing I do is (and I realize this might sound nuts), every month or so, I try to take like an Etch-a-sketch [so to speak], and I clear my faith. I go to zero, clear the deck. And I start adding things back to my faith, one at a time. What would be the first thing I'd add back? Jesus. It sounds a little bit like a Sunday school answer, but that's what I do. Then what's the next thing? And I'd say, well, loving people. And then the next.
Water is our next great environmental challenge. It is the new oil. How are we going to preserve this sport unless we are designing and maintaining golf courses that are energy net zero, carbon net zero and water net zero? Or ideally, energy positive, carbon positive and water positive, where they are taking out more than they are using.
The two-piece ball I switched to spun too much. One shot would go the distance I thought it should, then the next one would fall short, and then the next one would go long.
The most interesting thing about acting is when you go to the dark places, that's a lot of energy. When you go to the happiest places, it's also a lot of energy.
I have a short attention span. And when I'm in the middle of one thing, I'm then drawn to the next thing.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
For one thing, Lush was our only job then. We want it to be great, and we put a lot of energy into it, but it can't take over everything like it did back in the day.
A lot of times, I can put a product together with a distributor when I go into my Rolodex for distributors. I can then put it together with a face, such as an artist. And then I can go into my databank of retailers and people that I've been working with through the years of retail, and then also manufacturing.
The exciting thing about today with the Internet, streaming, and YouTube, is you can just go do it. You can go make a short and put it up, and it, very well, may be seen. You can create your own Internet series and just put it out there. It wasn't like that when I was in my 20s. People weren't doing this sort of thing - now they can and they should try it.
The only number that would ever be enough is 0. Zero pounds, zero life, size zero, double-zero, zero point. Zero in tennis is love. I finally get it.
I don't story board. I do something else, which is, I block it. We then train to the blocking. In other words, when everybody's training, they're actually training a lot of the moves that we are definitely going to use, and then, I do a lot of photography of that, and that becomes where the cameras go.
I'd been writing my own coming-of-age story, and I got to take a lot of that energy and a lot of those moments and themes that I wanted to explore in a much smaller film and then apply them to 'Spider-Man: Homecoming.'
When you have some skills but don't fully understand your environment, there is no way you can be a plus one. At best, you can be a zero. But a zero isn't a bad thing to be. You're competent enough not to create problems or make more work for everyone else. And you have to be competent, and prove to others that you are, before you can be extraordinary. There are no short-cuts, unfortunately.
Photorealism was this fantastic movement in like the late '60s and '70s, because photography finally became something that everyone could produce. Photorealism was and should've been a very short element. But the thing is, photography is so satisfying. Certainly when it's well done.
Some artists go through life not realizing that they have to be happy today. They're always thinking about the next job or the next thing: "I'll get this, then I'll be happy." Then you're miserable.
I had a basketball net that my dad had put up outside. I went out there and dribbled all day long. I wanted to play basketball. Then I'd go baseball, and then I'd go to football. I remember playing football in a plowed field. I grew up going from one thing to the next wanting to play something.
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