There is an electricity about a friendship relationship. We are both more relaxed and more sensitive, more creative and more reflective, more energetic and more casual, more excited and more serene. It is as though when we come in contact with our friend we enter into a different environment.
The only thing that kept me going was stories. Stories are hope. They take you out of yourself for a bit, and when you get dropped back in, you're different- you're stronger, you've seen more, you've felt more. Stories are like spiritual currency.
The art of creation lies in the gift of perceiving the particular and generalizing it, thus creating the particular again. It is therefore a powerful transforming force and a generator of creative solutions in relation to a given problem. It is the currency of human exchanges, which enables the sharing of states of the soul and conscience, and the discovery of new fields of experience.
There is something mysteriously powerful that can happen when young, inchoate minds come into contact with older and more worldly ones in a spirit of intellectual and creative endeavour - if I believed in progress, I suppose that's what I'd call it.
The heart of the theater is the play itself, how it dramatizes life to make it meaningful entertainment. To achieve depth and universality, the playwright must subject himself to intense critique, to know human character and behavior, and finally to construct art from the most mundane of human experience.
Over the course of your life, you realize more and more who you are and how you want to spend your time. And it became clearer and clearer that I was very unhappy as an actress and didn't feel comfortable in my own skin. When I was younger, I thought it was because I wasn't successful enough.
For many years now I have listened to the stories of people with cancer and other life-threatening illnesses as their counselor. From them I have learned how to enjoy the minute particulars of life once again, the grace of a hot cup of coffee, the presence of a friend, the blessing of having a new cake of soap or an hour without pain. Such humble experience is the stuff that many of the very best stories are made of. If we think we have no stories it is because we have not paid enough attention to our lives. Most of us live lives that are far richer and more meaningful than we appreciate.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
I feel much more emotion than I did before, and more meaningful emotion and richer emotion than when I was manic. I'm able to experience meaningful things that can only be experienced when I'm stable, like a family.
Possibly the whole creative whirlwind of any musician's life is based on garnering and developing and absorbing more and more experience.
Conversion and zealotry, just like revelation and apostasy, are flip sides of the same coin, the currency of a political culture having more in common with religion than rational discourse.
People think that creativity is largely a matter of talent, experience, or luck. They are wrong. Talent, experience, and luck are all key elements, but there is something more fundamental, accessible, and powerful that you can use to multiply your creative effect.
The human condition comprehends more than the condition under which life has been given to man. Men are conditioned beings because everything they come in contact with turns immediately into a condition of their existence. The world in which the vita activa spends itself consists of things produced by human activities; but the things that owe their existence exclusively to men nevertheless constantly condition their human makers.
I read somewhere once that in the 1960s, fiction writers were troubled by the notion that life was becoming stranger and more sensational than made-up stories could ever hope to be. Our new problem - more profound, I think - is that life no longer resembles a story. Events intersect but don't progress. People interact but don't make contact.
I'm conscious of race whenever I'm writing, just as I'm conscious of class, religion, human psychology, politics — everything that makes up the human experience. I don't think I can do a good job if I'm not paying attention to what's meaningful to people, and in American culture, there isn't anything that informs human interaction more than the idea of race.
Stories are living and dynamic. Stories exist to be exchanged. They are the currency of Human Growth.