A Quote by Robert Mitchum

I never take any notice of reviews - unless a critic has thought up some new way of describing me. That old one about my lizard eyes and anteater nose and the way I sleep my way through pictures is so hackneyed now.
The most prevalent way of working in photography right now is project oriented: you go after an idea. I like the old way, the intuitive approach. You follow your nose and take pictures and see what emerges. It happens after the fact.
I believe in the power of motion, the wisdom of gravity, the emptiness of true love, the fact that there is no way out but through the body, no way up unless we all go together, no way down unless we follow the beat, no way in unless we embrace the dark.
Neville recommends at the end of every day, before you go to sleep, to think through the events of the day. If any events or moments did not go the way you wanted, replay them in your mind in a way that thrills you. As you recreate those events in your mind exactly as you want, you are cleaning up your frequency from the day and you are emitting a new signal and frequency for tomorrow. You have intentionally created new picture for your future. It is never too late to change the pictures.
She went out and took a last long look at the shabby little library. She knew she would never see it again. Eyes changed after they looked at new things. If in the years to be she were to come back, her new eyes might make everything seem different from the way she saw it now. The way it was now was the way she wanted to remember it.
To feel the suffering and then to know the pain of the unnecessariness of it. That right there has me in its grip. The only way through that is serious prayer. I can't get through it any other way. I've got to believe that that's making a difference somehow. I can't see the difference, but I've got to believe it does, because in some way it lets me sleep at night. My only other alternative is to become angry, and I can't go that direction.
The enterprise of describing something in language that has never been described before is a very difficult thing to do. When you decide to do away with old cliches or old phraseologies, and to come up with a new way of saying something, it's extremely difficult.
A way of describing performances that I admire is that there is an absence of careerism. It's a clumsy way of describing it but it sort of does it for me.
Historically, the idea that you take something novel and you break it has been seen as the ultimate rejection of Enlightenment values, of progress, of civilization - because how could you possibly move forward if you break technology? I think that that misses the point, that if you introduce any kind of technology, what you're introducing is a new way of living and the consequences of that new way of living for people who were enmeshed in a different way of living need to be thought through.
A distaste for the new is not always fear of the unknown, but sometimes ambition. Some people don't like the new way simply because they never got a chance to master the old way.
I'm going to die with Alexander's hand on my face, Tatiana thought. That is not a bad way to die. I cannot move. I can't get up. Just can't. She closed her eyes and felt herself drifting. Through the haze in front of her she heard Alexander's voice. "Tatiana, I love you. Do you hear me? I love you like I've never loved anyone in my whole life. Now, get up. For me, Tatia. For me, please get up and go take care of your sister. Go on. And I'll take care of you.
I've never thought about songwriting as a weapon. I've only thought about it as a way to help me get through love and loss and sadness and loneliness and growing up.
I am always interested in affecting people in some way, making them think about particular areas of history that they have never thought about or that they may have thought about in one way and then changing their view.
I went to almost all of the agencies in New York when I first visited. A lot of them wanted to sign me but also kind of indirectly were telling me that I needed to change in some way. Some directly told me that I wouldn't be a model unless I changed the way that my body looked.
Don't go changing to try and please me You never let me down before Don't imagine you're too familiar And I don't see you anymore I would not leave you in times of trouble We never could have come this far I took the good times, I'll take the bad times I'll take you just the way you are Don't go trying some new fashion Don't change the color of your hair. [...] I could not love you any better I love you just the way you are.
[Kane to Rose] I'll never forget the way you looked walking toward me. I never thought that I'd have a woman like you in my life. It's all there etched in my brain. And now, the way the light pours over our hair, the way all that silk shines, so black it's nearly blue. The world disappears when I'm holding you.
Early studies of sleep and dreaming were crucially dependent on waking subjects up during sleep to find out whether they are dreaming or not. Using that strategy, it was found that when the eyes are rapidly moving (REM sleep) people are usually dreaming; when the eyes are not moving, there may be some mentation, but little in the way of visually rich dreams.
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