A Quote by Robert Montgomery
The flood will lift the ghosts from the Hollywood lawn cemetery and they will disappear like ether in the now dead air. All the names will be erased from the billboards and the theatres and the piers and the magazines and the monuments. You live by myths of immortality, and your myths are not safe.
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Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.
Myths are public dreams; dreams are private myths. By finding your own dream and following it through, it will lead you to the myth-world in which you live. But just as in dream, the subject and object, though they seem to be separate, are really the same.
I think of evolution as a myth, like the Norse myths, the Greek myths - anybody's myths. But it was created for a rational age.
You who are dead ... tonight you will disport yourselves for my pleasure. Food and wine will pass between your dead lips, though you will not taste it. Your dead stomachs will hold it within you, while your dead feet take the measure of a dance. Your dead mouths will speak words that will have no meaning to you, and you will embrace one another without pleasure. You will sing for me if I wish it. You will lie down again when I will it.... Let the revelry begin.
You'll live forever in our hearts, big man. That particularly galled me, because it implied the immortality of those left behind: You will live forever in my memory, because I will live forever! I AM YOUR GOD NOW, DEAD BOY! I OWN YOU!
Myths are the prototype for all stories. When we write a story on our own it can't help but link up with all sorts of myths. Myths are like a reservoir containing every story there is.
Collective guilt is borne by what is conventionally called the scapegoat. Now the scapegoat for white society - which is based on myths of progress, civilization, liberalism, education, enlightenment, refinement - will be precisely the force that opposes the expansion and the triumph of these myths. This brutal opposing force is supplied by the Negro.
The human race will disappear. Other races will appear and disappear in turn. The sky will become icy and void, pierced by the feeble light of half-dead stars. Which will also disappear. Everything will disappear. And what human beings do is just as free of sense as the free motion of elementary particles. Good, evil, morality, feelings? Pure 'Victorian fictions'. Only egotism exists.
In the Twentieth Century war will be dead, the scaffold will be dead, hatred will be dead, frontier boundaries will be dead, dogmas will be dead; man will live. He will possess something higher than all these-a great country, the whole earth, and a great hope, the whole heaven.
Thus science must begin with myths, and with the criticism of myths; neither with the collection of observations, nor with the invention of experiments, but with the critical discussion of myths, and of magical techniques and practices.
The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
Religion is not about accepting twenty impossible propositions before breakfast, but about doing things that change you. It is a moral aesthetic, an ethical alchemy. If you behave in a certain way, you will be transformed. The myths and laws of religion are not true because they they conform to some metaphysical, scientific or historical reality but because they are life enhancing. They tell you how human nature functions, but you will not discover their truth unless you apply these myths and doctrines to your own life and put them into practice.
Europe is so much the home of Horror, with its myths of vampires, werewolves, witchcraft and the undead, yet it's like those myths were exported to Hollywood, leaving Europe the room to develop a new tradition as a way of processing its traumas, particularly the two world wars.
Songs are like myths. Myths are useful because they allow you to cast yourself and your life and your own experience. And for some people, 'Fire and Rain' speaks to them in that way.
What will happen when my heart stops beating?" Momo asked. When that moment comes," said the professor, "time will stop for you as well. Or rather, you will retrace your steps through time, through all the days and nights, myths and years of your life, until you go out through the great, round, silver gate you entered by." What will I find on the other side?" The home of the music you've sometimes faintly heard in the distance, but by then you'll be part of it. You yourself will be a note in its mighty harmonies.
Paul said in the second epistle...the time is coming when people will not put up with sound doctrine...they will accumulate for themselves teachers to suit their own desires, and will turn from the truth and wander away to myths.
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