A Quote by Robert Morgan

The fact that something is in a rhymed form or in blank verse will not make it good poetry. — © Robert Morgan
The fact that something is in a rhymed form or in blank verse will not make it good poetry.
Verse in itself does not constitute poetry. Verse is only an elegant vestment for a beautiful form. Poetry can express itself in prose, but it does so more perfectly under the grace and majesty of verse. It is poetry of soul that inspires noble sentiments and noble actions as well as noble writings.
Write verse, not poetry. The public wants verse. If you have a talent for poetry, then don't by any means mother it, but try your hand at verse.
Verse comedy is interesting to me because of the challenge of writing in rhymed couplets, which is not a form that's usually amenable to English, yet to me it gives great possibility for comedy.
The iambic pentameter owes its pre-eminence in English poetry to its genius for variation. Good blank verse does not sound like a series of identically measured lines. It sounds like a series of subtle variations on the same theme.
It should here be added that poetry habitually takes the form of verse.
What I do say is that I can write verse, and that the writing of verse in strict form is the best possible training for writing good prose
What I do say is that I can write verse, and that the writing of verse in strict form is the best possible training for writing good prose.
We do have to learn poetry at school. Poetry is interesting to me, particularly Chinese poetry. It's like an ancient form of song. There's five sentences, seven sentences - they're very different from English poetry. Chinese poetry is much more rigorous. You can only use this many words, and they will form some kind of rhythm so people can actually sing it. To me, poetry is quite abstract but also quite beautiful.
There is no doubt that the loftiest written wisdom is either rhymed or in some way musically measured,--is, in form as well as substance, poetry; and a volume which should contain the condensed wisdom of mankind need not have one rhythmless line.
The fact is that blank pages inspire me with terror. What will I put on them? Will it be good enough? Will I have to throw it out?
The voice is raised, and that is where poetry begins. And even today, in the prolonged aftermath of modernism, in places where 'open form' or free verse is the orthodoxy, you will find a memory of that raising of the voice in the term 'heightened speech.'
The voice is raised, and that is where poetry begins. And even today, in the prolonged aftermath of modernism, in places where "open form" or free verse is the orthodoxy, you will find a memory of that raising of the voice in the term "heightened speech".
If a poem is not memorable, there's probably something wrong. One of the problems of free verse is that much of the free verse poetry is not memorable.
France is not poetic; she even feels, in fact, a congenital horror of poetry. Among the writers who use verse, those whom she will always prefer are the most prosaic.
I started wanting desperately to say something, to make a point, to be heard - and I still feel that way. Free verse served me best when I embarked on poetry.
The gap between verse and poetry is enormous. Between good poetry and good prose the gap is much narrower
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