A Quote by Robert Morgan

Among the American contemporaries I read with most enjoyment are several North Carolinians. I think the best poetry being written these days is being written by Southerners.
But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.
Much verse fails of being poetry because it was not written exactly at the right crisis, though it may have been inconceivably near to it. It is only by a miracle that poetry is written at all. It is not recoverable thought, but a hue caught from a vaster receding thought.
It's a completely powerful and serious book, as good as anything in prose or poetry written by a 'beat' writer, and one of the most alive books written by any American for years. I don't see how it could be considered immoral.
In contrast to a dream a reverie cannot be recounted. To be communicated, it must be written, written with emotion and taste, being relived all the more strongly because it is being written down. Here, we are touching the realm of written love. It is going out of fashion, but the benefits remain. There are still souls for whom love is the contact of two poetries, the fusion of two reveries.
Most of everything I've ever written actually was written on acoustic. 'Do You Feel' was written on electric. 'I'm in You' was written on piano.
I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written.
I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written
In old days books were written by men of letters and read by the public. Nowadays books are written by the public and read by nobody.
It was really written as most, I think, books are by writers - for themselves. There was something that just had to be written, in a way that it had to be written. If you know what I mean.
Of all the many memoirs by former Soviet officials, Palazchenko's is among the best written and also the most objective. Even his descriptions of U.S. policy are more accurate and judicious than those of some American scholars.
I've already written 300 space poems. But I look upon my ultimate form as being a poetic prose. When you read it, it appears to be prose, but within the prose you have embedded the techniques of poetry.
Poetry, at least the kind I write, is written out of immediate need; it is written out of pain, joy, and experience too great to be borne until it is ordered into words. And then it is written to be shared.
Exhaustively researched and beautifully written, Cronkite is a classic. Douglas Brinkley has written his best book yet. This is a fascinating story that will be read for years to come.
I've been very lucky. I've written for most of my idols and the contemporaries.
I think most actors probably enjoy playing the bad guy. I think it's the fact that most of the time, heroes aren't written with enough interesting qualities or flaws, and that leads to the bad guys being almost the runaway train, as far as being more interesting for the audience to watch.
I just think that the world of workshops - I've written a poem that is a parody of workshop talk, I've written a poem that is a kind of parody of a garrulous poet at a poetry reading who spends an inordinate amount of time explaining the poem before reading it, I've written a number of satirical poems about other poets.
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