A Quote by Robert Morgan

The Black Mountain poet I like most is the early Creeley. Those early poems seem very lyrical and very traditional, with a lot of voice and character. — © Robert Morgan
The Black Mountain poet I like most is the early Creeley. Those early poems seem very lyrical and very traditional, with a lot of voice and character.
I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.
Those early Cyborg comics were very politically charged, and he was very aware of being a black superhero.
I've been trying to write for as long as I can remember. But those first fifteen years didn't produce much of great interest. I mean, it embarrasses me very much to look back on my early poems--very few lines of any merit at all and lots of affectation. But there were quite a lot of them. That's a point in one's favor.
The difference between what we see and a sheet of white paper with a few thin lines on it is very great. Yet this abstraction is one which we seem to have adopted almost instinctively at an early stage in our development, not only in Neolithic graffiti but in early Egyptian drawings. And in spite of its abstract character, the outline is responsive to the least tremor of sensibility.
When you start digging into things like character, though, the notion that people have high character or low character is very strong. What's crazy is that my thinking is not a new insight. The very first large-scale study of character, still one of the largest ever, was done in the early 1900s by Hugh Hartshorne, an ordained minister and a scientist.
I like to go to bed very early and get up very early.
To become a professional, you have to train a lot, which I did from a very early age. Of course, it helps if your character is very competitive and you have patience and perseverance.
I decided early on, very early, that the best role I could play is to speak in my own voice, assume my own voice and my own ideas. Even if you support a candidate who ultimately wins, what you say and do is seen through the filter of that candidate.
Early access is very valuable, there are a lot of consumers who would love to see something early.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
I learned a lot, in terms of inspiring people. It became very clear to me, very early on, that directing a movie was a lot like being in a theater company.
One of the beautiful gifts of dance is that you're so in tune with your body so early on. I was very comfortable in my skin at a very early age, performing onstage and wearing interesting costumes. And I give so much credit to my mom - she never made me feel that my costume was wrong, or bad, even when there was not a lot to them!
I'm a very early riser, and I don't like to miss that beautiful early morning light.
I was writing from a very, very early age. My father used to write. He died early, and my mother was a schoolteacher, so my academic background from childhood is a strong one, a good one.
My mother taught me how to read very early on and at school I was ahead of everyone in class... Reading was always something that I liked because I could do it alone and I was alone a lot of the time with my mother working the hours she did. Books became my friends very early on.
True to their history, the English are very domineering and have manipulated it in different ways. I wouldn't say that there was an original, but there is a lot of expurgation in some of the Victorian translations, and there's a lot of additional salacious nonsense in some of them, too. I also like the early French one, much-derided for being fanciful but which is actually very elegantly done. It's very big, very capacious.
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