A Quote by Robert Motherwell
I started with straight, basic, symbolic structures. My problem now is the opposite; as I get older, I try to make my paintings more contrapuntal, richer.
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When I first started playing, I definitely had a younger scum-punk crowd, but as my music developed more and after I started playing electric guitar - you'd think it would be opposite - but a lot of people were like, "You've changed." And I have more of an older audience now.
I feel, as I get older and now a father, I try to be a little more conscious of the things I would say and do. I try to be more creative as opposed to using a cheap word, cursing, or something vulgar to get a reaction.
I'm very comfortable in my own skin now. I started just being myself more and more. For women, this happens as you get older. I loved my 40s - I thought they were fantastic. And I'm loving my 50s. I'm going to love everything because you're either older or dead!
I have always wanted to make paintings that are impossible to walk past, paintings that grab and hold your attention. The more you look at them, the more satisfying they become for the viewer. The more time you give to the painting, the more you get back.
The way I evolved was playing straight-ahead jazz into playing more fusion-type stuff just because I was young enough to get into it. As I get older, I find myself coming back to where I kind of started.
Now we may have more preachers out there than we have drinkers. But a fellow told me a story one time about a man down in Kentuckywhere they make bourbon. And he said you can take a jigger or two jiggers and get by all right. But if you try to take the whole bottle why you have lost what you started with. So don't try to take it too quick. And don't try to do all of it at once. I don't do much promising. I tell what my goals are and then I try to wrap it up and put a blue ribbon on it and get it delivered. We say put the coonskin on the wall.
When I started writing, I was a great rationalist and believed I was absolutely in control. But the older one gets, the more confused, and for an artist I think that is quite a good thing: you allow in more of your instinctual self; your dreams, fantasies and memories. It's richer, in a way.
In terms of putting the cast together, no problems. You know, the only problem always is just price-point. Our ambitions as we get older, all of us, is to try and do more.
I guess what happens to a lot of people as they get older is that they get more conservative, but with me, the opposite is the case.
I look at my paintings for a very long time before letting them out of my studio. I like to get on the treadmill and look around at all of my paintings while I exercise. I try to stare them down to make them reveal their weaknesses. If they reveal weaknesses, they get repainted.
With a painting, you're taking basic building blocks and making something that's more complex than what you started with. It is a synthetic process. A photograph does the opposite: It takes the world, and puts an order on it, simplifies it.
As I get older, I use less jewelry - necklace or earrings each morning, not both; my clothes are getting more basic - fewer colours and simpler cuts; and my make-up is stripped back to basics.
Once my paintings are complete, the model no longer lives in the painting as themselves. I see something bigger, more symbolic - an archetype.
It gets easier as you get older because life deals its particular hand, and our experiences get deeper, richer, more profound. When I gave birth to my son, something happened. It is a huge thing for a woman: a whole set of emotions you never had before arrives, and a love you never had before in your life is now on tap.
By defining the problem as 'hunger', the emergency food system is helping to direct our attention away from the more fundamental problem of poverty, and the even more basic problem of inequality.
All photographs are there to remind us of what we forget. In this - as in other ways - they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
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