A Quote by Robert Motherwell
I dislike a picture that is too suave or too skilfully done. But, contrariwise, I also dislike a picture that looks too inept or blundering.
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Do you ask what sort of a maid I desire or dislike, Flaccus? I dislike one too easy and one too coy. The just mean, which lies between the two extremes, is what I approve; I like neither that which tortures nor that which cloys.
Most of the time the ones who dislike the pictures the most confirm to me that the picture has hit home and is probably truer than I know. Nobody minds a boring picture, they mind a picture that has gotten to the soft core.
If one stays too long with friends They will soon tire of him; Living in such closeness leads to dislike and hate. It is but human to expect and demand too much When one dwells too long in companionship.
The most fatal disease of friendship is gradual decay, or dislike hourly increased by causes too slender for complaint, and too numerous for removal.
Kate Moss is too skinny. She also looks like she's 11. It's practically illegal to look at her picture. God bless Kate Dillon, but size 14 is just a little too big. Look at me talking, I just lost 28 pounds, so I should have more sympathy, but I don't.
The smug complacency of technology adverts disguises a pretty mixed picture, with too many people not connected, too many passive users of technologies designed for interactive, and far too much talk about empowerment but far too little action to make it happen.
If it's just brushstrokes wrestling around, it isn't much of a picture book, is it? There still has to be a picture. And maybe it needs to be a picture of a dog named Daisy or a little girl riding a bike. So I have to be careful before I get too carried away in the manner itself.
The motion picture is like a picture of a lady in a half-piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
When buyers see the pride of ownership - when they come in, and they're impressed by how clean the place is - they can picture their kids playing on the floor. They can picture the family sitting around the table. When they can picture their own family in that space, instantly you grab them, and they'll pay more money, too.
Sometimes we think we dislike flattery, but it is only the way it is done that we dislike.
I always think, 'What does this picture mean? What's the best place to put my camera? Do I have anything extra in the picture, things in the background that will distract? Am I in the basic position that will give the essential things for this picture but not too much?'
You size up someone physically in less than one second - too tall, too short, too fat, too thin, too old, too young, too stuffy, too scruffy.
Reasons for not keeping a notebook: 1) the ambiguity of the reader--it is never quite oneself. 2) I usually hate the sight of my handwriting--it lives too much and I dislike its life--I mean by "lives," of course, betrays too much!
I have a lot of Breton striped top and silk shirts that always feel good. I also like things with a masculine edge and dislike anything too girly.
So it can be seen that the trouble with the motion picture art was (and is) that it is too much an industry; and the trouble with the motion picture industry is that it is too much an art. It is out of this basic contradiction that most of the ills of the form arise.
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