A Quote by Robert Motherwell
I almost never start with an image. I start with a painting idea, an impulse, usually derived from my own world.
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But where was I to start? The world is so vast, I shall start with the country I knew best, my own. But my country is so very large. I had better start with my town. But my town, too, is large. I had best start with my street. No, my home. No, my family. Never mind, I shall start with myself.
When you start working, everybody is in your studio- the past, your friends, enemies, the art world, and above all, your own ideas- all are there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you are lucky, even you leave.
I can start with the idea of taking until you can take off, through the idea that all of my writing foregrounds the idea of how I'm taking from my own life. I'm stealing from my own life in a way, and from the people around me, but in service of getting somewhere else. I'm starting with an autobiographical impulse, to get a better vantage on the circumstances of the life that I happen to be in at the moment and how that life connects to others.
If you have never tried a plant-based diet, start. If you've never juiced vegetables, start. If you've never taken vitamin C to saturation, start. If you have never done a half-hour fitness workout each day, start. But, there is no such thing as a free lunch, a quick fix or a magic wand to cure illness.
There are times when we in Little Dragon write from scratch together, but everyone has their own lives, so it just seems to make sense when everyone starts an idea on their own and we sort of meet somewhere along the way. I'm at the studio all the time because I live there, but the guys will have different schedules. It's easier to start an idea with your own thoughts, rather than having to compromise from the start.
The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The imageis in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.
One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.
When I start a song, I have an image and a story. In many ways, it's more like painting than making music.
If you look at cable networks, they almost always start licensing content wherever they can, so they can build a subscriber base. But then they start doing their own content; it's a pretty well-trodden path.
Music is an amazing thing. I don't know if we really think about it the same way we consider a painting an amazing thing. I mean, a painting is, in quotes, imaginary. There is nothing on the canvas when you start; and writing a song, there is nothing there when you start.
On an instrument you start from one tone. In painting you start from several.
Accessing capital to start a business can be a daunting process, especially for entrepreneurs who start out with a great idea, but have no real familiarity with the business world.
Accessing capital to start a business can be a daunting process, especially for entrepreneurs who start out with a great idea, but have no real familiarity with the business world
Man can never expect to start from scratch; he must start from ready-made things, like even his own mother and father.
I get a sentence, an idea, an image, and I start. I don't know anything beyond it. I follow it.
I did cocaine for about a year around the time of Sgt Pepper. Coke and maybe some grass to balance it out. I was never completely crazy with cocaine. I'd been introduced to it and at first it seemed OK, like anything that's new and stimulating. When you start working your way through it, you start thinking: 'Mmm, this is not so cool an idea,' especially when you start getting those terrible comedowns.
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