A Quote by Robert Musil

... the novel is called upon like no other art form to incorporate the intellectual content of an age. — © Robert Musil
... the novel is called upon like no other art form to incorporate the intellectual content of an age.
Cinema is a kind of pan-art. It can use, incorporate, engulf virtually any other art: the novel, poetry, theater, painting, sculpture, dance, music, architecture. Unlike opera, which is a (virtually) frozen art form, the cinema is and has been a fruitfully conservative medium of ideas and styles of emotions.
If any art form can accommodate contemporary culture, it's the novel. It's so malleable - it can incorporate essays, poetry, film. Maybe the challenge for the novelist is to stretch his art and his language, to the point where it can finally describe what's happening around him.
Great art is always a balancing act. But all art has both - an emotional content and an intellectual content.
I do not share the pessimism of the age about the novel. They are one of our greatest spiritual, aesthetic and intellectual inventions. As a species it is story that distinguishes us, and one of the supreme expressions of story is the novel. Novels are not content. Nor are they are a mirror to life or an explanation of life or a guide to life. Novels are life, or they are nothing.
Comedy is really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title.
Although photography generates works that can be called art-it requires subjectivity, it can lie, it gives aesthetic pleasure-photography is not, to begin with, an art form at all. Like language, it is a medium in which works of art (among other things) are made.
Before the Conquest all art was of the people, and popular art has never ceased to exist in Mexico. The art called popular is fugitive in character, with less of the impersonal and intellectual characteristics of the schools. It is the work of talent nourished by personal experience and that of the community - rather than being taken from the experiences of painters in other times and other cultures.
In adopting the form of the adventure novel, Wells deepened it, raised its intellectual value, and brought into it elements of social philosophy and science. In his own field - though, of course, on a proportionately lesser scale - Wells may be likened to Dostoyevsky, who took the form of the cheap detective novel and infused it with brilliant psychological analysis.
People, certainly in the U.K., look down on screenwriting as an art form, but I love the discipline of it. Next to the bagginess of novel writing, it almost feels like a martial art.
The novel is the first art form that is an honest-to-god commodity. That's what makes it different from both high art and folk art.
Surely the novel should be a form of art - but art was not enough. It must contain not only the perfection of art, but the imperfection of nature.
The detective novel is the art-for-art's-sake of our yawning Philistinism, the classic example of a specialized form of art removed from contact with the life it pretends to build on.
I like collaboration, I like to incorporate other people's ideas [and] that's what happens when you do a big movie. Unless you're called Stanley Kubrick and you do an independent movie for like $200 million.
Cinema is a form of art, and like every other art form, cinema also needs freedom of expression.
I'm not a twentieth-century novelist, I'm not modern, and certainly not postmodern. I follow the form of the nineteenth-century novel; that was the century that produced the models of the form. I'm old-fashioned, a storyteller. I'm not an analyst, and I'm not an intellectual.
Classical art stands for form; romantic art for content.
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