A Quote by Robert Newton Peck

A plot is two dogs and one bone. — © Robert Newton Peck
A plot is two dogs and one bone.
Lo, when two dogs are fighting in the streets, With a third dog one of the two dogs meets; With angry teeth he bites him to the bone, And this dog smarts for what that dog has done.
I wrote a book called 'Doll Bones', which was another middle-grade book, and when I was writing it, I needed a place in the U.S. that made bone china. And there are only two places in the U.S. that make bone china. They made it by grinding down actual cow bones. It was a plot point. It was a creepy doll book.
The romance is the primary plot in a story that has two plots. The second plot is not a subplot, but one that is interwoven with the romance plot (if that makes sense.) A story needs compelling characters in a compelling plot.
I like dogs Big dogs Little dogs Fat dogs Doggy dogs Old dogs Puppy dogs I like dogs A dog that is barking over the hill A dog that is dreaming very still A dog that is running wherever he will I like dogs.
But I've often said that if I had – I have two dogs – if I had two retarded children, I'd be a hero. And yet the dogs, which are pretty much the same thing. What? They're sweet. They're loving. They're kind, but they don't mentally advance at all. Dogs are like retarded children.
I got a finger that's literally bone-on-bone. This bad boy, it gets smaller. The more and more I do, it grinds bone-on-bone.
I was called "T-Bow" but the people got it mixed up with "T-Bone." My name is Aaron Walker but "T-Bone" is catchy, people remember it. My auntie gave it to me when I was a kid. Mother's mother was a Cherokee Indian full blooded. There were sixteen girls and two boys in my mother's family, all dead but two.
Once somebody's aware of a plot, it's like a bone sticking out. If it breaks through the skin, it's very ugly.
Man's best friend - that's what dogs are. I have two dogs. I love and treat them like family.
I have two dogs. If I had retarded children, I'd be a hero. And yet, the dogs are pretty much the same thing.
It's not the plot [of Valley of Violence] - the plot is the reason to get all these things to happen, all these character moments to happen. It was always meant to have these two perspectives.
Typically, housewives and working mums hate each other like dogs fighting for a bone.
Never use dogs to symbolize anything. That is ridiculous. Always ensure that any dogs are just dogs; i.e., characters in the story who happen to be dogs.
I don't think plot as a plot means much today. I'd say that everybody has seen every plot twenty times. What they haven't seen is characters and their relation to one another. I don't worry much about plot anymore.
One thing that we learned that we published on our blog post is that uniformly, men lie about their height by almost exactly two inches. So if you look at a plot of census bureau data on the distribution of men's heights in the U.S. and you plot men's heights on OKCupid, it is exactly shifted two inches to the left.
Fiction writers come up with some interesting metaphors when speaking of plot. Some say the plot is the highway and the characters are the automobiles. Others talk about stories that are "plot-driven," as if the plot were neither the highway nor the automobile, but the chauffeur. Others seem to have plot phobia and say they never plot. Still others turn up their noses at the very notion, as if there's something artificial, fraudulent, contrived.
This site uses cookies to ensure you get the best experience. More info...
Got it!