A Quote by Robert Nozick

Whatever the practical origins of aesthetic discernment may have been, it has been used to create great works of art. When the very loftiest human creations are seen to derive from humble origins and functions, what needs revision is not our esteem for these creations but our notion of nobility.
Yes, the natural sciences are telling us a great deal about human origins, the origins of our species the origins of our minds; we're on our way to explaining a large part of it. I'll accept an answer provided only by such means as obtaining and exploring, analyzing and arguing over the evidence - not because of a scribe's myopic view of the subject written 500 years before the birth of Christ!
Know that originally none of us are from Earth. We all have natural origins off the planet. We are having human experience, but one thing we're going to have to come to understand - and I know that's a lot for some people - is that our heritage is within the galactic origin. We are going to come into alignment with that by remembering our individual origins - and that's going to be a very important part of our enlightenment process.
Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.
What a great poem teaches you - and it's not intellectual at all - is the resonance in the language that's heard there. This goes back to the very origins of poetry and to the very origins of language.
Whatever sphere we may be in, there is a profound joy in the realization that we are helping to form the structure of the new world. This is creative courage, however minor or fortuitous our creations may be.
All things are created twice, but not all first creations are by conscious design. In our personal lives, if we do not develop our own self-awareness and become responsible for first creations, we empower other people and circumstances outside our Circle of Influence to shape much of our lives by default. We reactively live the scripts handed to us by family, associates, other people's agendas, the pressures of circumstance - scripts from our earlier years, from our training, our conditioning.
I find a tremendous receptivity among the public for the subject matter of, 'Where did we come from and how did we get here?' People are thirsty and hungry for information on our origins. I feel a responsibility as a major figure in the area... to convey to the public the knowledge of human origins in a way that is understandable to them.
Very strange bridges are used to make the passage from one state of things to another; we may lose sight of them in our surveys of general history, but their discovery is the glory of historical research. History is not the study of origins; rather it is the analysis of all the mediations by which the past was turned into our present.
Leadership is inherent in our nature and is fundamental to our origins, our human makeup -and our destiny.
Sometimes we don’t realize how destructive our creations are until it’s too late. And sometimes those creations we make turn on us and seek only to kill us even though we loved and succored them. (Apollo)
Of all the inanimate objects, of all men's creations, books are the nearest to us for they contain our very thoughts, our ambitions, our indignations, our illusions, our fidelity to the truth, and our persistent leanings to error. But most of all they resemble us in their precious hold on life.
I have increasingly become conversant with Pythagoras' and Goethe's idea of a primordial music, not perceptible to the sensuous ear, but sounding and soaring throughout the cosmos. Tracing it to such exalted origins, I begin to understand more deeply the essence of our art and its elemental power over the human soul. Man, being a creature of Nature and subject to the cosmic influences that inform all earthly beings, must needs have been under the sway of that music from his earliest days; his organism reverberated with its vibrations and received it's rhythmic impulses.
I create mood boards, and then we source fabrics and design the dresses. We are trend-led but also do our own thing! I want women to feel fabulous in our creations.
In our world, in which religious images are losing their meaning, in which our customs are getting more and more secular, we are losing our sense of the eternal. I think it's a loss that has done a great deal of damage to modern art. Painting is a return to origins.
The works of 'abstract' art are subtle creations of order out of simple contrasting elements.
Our works, whatever they may be, derive from our incapacity to kill or to kill ourselves.
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