A Quote by Robert Osborne
There's an excellent movie we have on TCM called 'It Happened on Fifth Avenue,' which was originally going to be directed by Frank Capra... but just before he was going to start working on it, he came across this story called 'The Greatest Gift.' And that turned into 'It's a Wonderful Life.'
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I went to visit Frank Capra, one of my idols, and did a kind of Judd Apatow interview with him. I said, "I'd like the Statue of Liberty to disappear, but I want to do it as a lesson in freedom, how valuable freedom is and what the world would be like without liberty." And Frank Capra looked at me and said, "David, I love your idea, but here's what you're going to do. You're going to try and it's not going to work; it's not going to disappear." And I said, "Mr. Capra, I can't do that."
I remember my brother Nash had just directed me in 'The Square,' and I was sitting in Australia going: 'No one's called me about working for ages. I don't know if I'm ever going to get another job.'
I remember my brother Nash had just directed me in 'The Square,' and I was sitting in Australia going: 'No one's called me about working for ages. I don't know if I'm ever going to get another job.
I went to Dave Eggers with this idea of doing a movie about a guy going through some sort of Frank Capra-esque journey.
My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
You have to decide what kind of story you're going to tell. For instance I would argue a movie like 'Toy Story 3,' which isn't realistic at all, is really emotional and involving. It just depends. I played this game called 'Superbrothers: Sword & Sworcery EP' for iPad that is totally old school 8-bit, which I found very moving.
It just took the right time. I was fully confident that I was going to see Sam Phillips and to record for him that when I called him, I thought, I'm going to get on Sun Records. So I called him and he turned me down flat. Then two weeks later, I got turned down again. He told me over the phone that he couldn't sell gospel music so - as it was independent, not a lot of money.
I have been working. I've been blessed to have shared a movie in the north of Chile called 'The 33,' with Gabriel Byrne and Juliette Binoche and Antonio Banderas, which is the beautiful story of the miners (trapped underground for 69 days in 2010). And then, this incredible, epic story came my way.
I've been very fortunate to be able to jump around. I just did this really wonderful film called Map of the World. That was a real, amazing, dramatic story. Then I did a movie called Company Men, a little comedy about the Bay of Pigs.
They'll probably start working on my movie sometime... They are doing a complete movie of my life story. It will not be based on any negativity. It will be more about my life, from a kid, how I came up and why I came through.
I guess, on my list, going back to some old American stuff and British stuff that I used to love in the '80s, would be a British show called Dad's Army, which recently just turned into a movie.
Well I actually came to shoot 'Stranger Things' straight from filming a movie called 'Bridge of Spies,' which is directed by Stephen Spielberg, so I was recommended to watch a bunch of his movies, like 'E.T' and stuff.
Pier Angeli was in the movie called Sea of Sand that Guy Green directed where this idea came up.
When my agent called me up and said, "Do you want to be in a movie called Sharknado?" I said, "What is it about? Is it really about sharks falling out of the sky and eating people?" And she said, "Yes." And I said, "Definitely. That is going to be a huge hit. That is going to put to rest the Home Alone dad image. I'm going to be the Sharknado drunk instead, hopefully." And I was right. I don't know how I knew that, but I just knew that Sharknado was going be a huge hit.
Frank Capra, Hollywood's Horatio Alger, lights with more cinematic know-how and zeal than any other director to convince movie audiences that American life is exactly like the 'Saturday Evening Post' covers of Norman Rockwell. 'It's A Wonderful Life,' the latest example of Capracorn, shows his art at a hysterical pitch.
Sometimes I have little movies that I've made that I wish would be seen by a larger audience. I have a horror movie called 'Sensored' which I'm very creepy and disgusting in, and then I have a family drama called 'The Legends of Nethiah' which has a science-fiction B-story.
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