A Quote by Robert Parish
I use Kung Fu. That really helps my flexibility and coordination.
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To make a kung fu film is like a dream come true, because I'm a big fan of kung fu movies and I'm learning kung fu for a long time.
Hurdling is like Kung-fu. Everyone comes from a different school. And everybody says 'my Kung-fu is better than your Kung-fu.' You have to find the technique that best fits your body size.
Well we've got to do a lot of kung fu choreography, which was really cool. Like I have, you know, like the big hammer that I use, kind of like a staff in a sense. So I get to use that like a really cool weapon. Kung fu style. And it's just really fun to get to learn that and execute it in a way that looks cool on screen. It just feels really rewarding.
You're asked, 'Do you know kung-fu?' Yeah. That's what we do. We wake up, we brush our teeth, we do kung-fu!
He was never a kung fu guy. Now, he's Mr. Kung Fu. Oh, man. Even Chow Yun-Fat gets typed!
Kung fu: You've got to spend your whole life at it before you're kung fu.
My role in kung fu - in the art of kung fu, not the series - is not as a practitioner. My role is that of an evangelist, which is an entirely different thing.
When I was a kid, I loved watching kung fu movies - in San Francisco, we had 'Kung Fu Theater' on TV on Saturdays, and they'd air old Shaw Brothers movies with English dubbing, things like that.
I'm half Asian, so people immediately go, "Oh, you do kung fu," like that's what we do. We wake up, we do kung fu, we brush our teeth. It's just assumed that you're not working your ass off to make this believable and make this something great, and we absolutely are.
Oddly enough, I've always - I've never actually seen "The Alamo" itself, actually. So I don't really have the association of "Green Leaves of Summer" as being "The Alamo" theme. Oddly enough, I grew up watching kung fu movies. They would use the theme "Green Leaves of Summer" in a lot of needle drops in kung fu movies a lot. So I was actually more familiar with it in a Bruce Li movie than I was actually from the John Wayne film.
My producer for the first 'Kung Fu Panda' movie, Melissa Cobb, is an amazing woman. She's supersmart and helps push everyone - male, female, anyone - to do their best.
Kung fu lives in everything we do. It lives in how we put on a jacket and how we take off a jacket. It lives in how we treat people. Everything is kung fu.
I fell in love with Bruce Lee after I watched his movies, and I wanted to become a kung-fu practicer, and I would like to be someone like Bruce Lee. That's why I learned kung-fu, and that's why I picked the wing chun style, because it's his style. That's why I decided to be an actor, to go into show business, because of him.
I was the black kid in school who'd skate and wrestle, who was really into outer space and botany and kung fu and hip-hop. I was into everything.
I was also an only child and my father really wanted a son - he's from that generation - it was always about kung-fu theater on Sundays and boxing games on the weekend.
Her kung fu is that powerful.
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