A Quote by Robert Parish
Obviously, there are nights in any job when you don't want to be there, but that's when the pride factor comes in.
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On any given night - there are nights that you feel better. There are nights that you are vocally better. There are nights that you are not as vocally good. No question about it.
Some nights, you want to be George Jetson, and other nights, you want to be sexy.
I want more girls' nights, more dinner parties, more date nights, more nights on the couch with zucchini fries watching bad reality television.
A mother who is not everything for her children: a friend, a teacher, a confidant, a source of joy and founded pride, inducement and soothing, reconciliator, judge and forgiver, that mother obviously chose the wrong job.
There are those nights where you are just so emotionally present that you crack yourself open. And it works. And on the nights when you don't have it in you because you're tired or you've got no voice, you still are able to do your job and tell the story that people have come to hear.
I don't want being a woman to be a factor, or being short to bea factor, or being Jewish to be a factor, or anything that makes you outside some design "norm"that I don't understand anyway. That makes me nervous.
I don't want any competition; I've finally made it! I don't want any young bucks knocking me off and taking my job, so stay in school! Stay in school and get a nice job working in an office!
There's a sense of family in Colorado; there's such a pride factor there.
I feel like I've had bad nights or destructive nights or nights where I don't remember anything or nights where I was seriously injured or seriously in danger. And I remained nihilistic and unconcerned because it felt like there was no alternative.
What you do off the job is determining factor in how far you will go on the job.
Obviously, my life and my job in 2010 is very different from Peggy's experience in the 1960s. I exist in a world that enjoys more equality between men and women. But I don't take any of that into my performance. I just want to play the character as who she is as an individual - scene to scene.
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