A Quote by Robert Pattinson

I think 26 is the turning point. I’ve got to make up for 10 years of living like a degenerate. I’ve suddenly become conscious of being unhealthy. You’ve spent every bit of free time since [the age of ] 15 in a pub. And suddenly you’re like, ‘Oh God, I don’t want to be this grey ghost sitting there with a pot belly. I’ve got to get it together.
Obviously, you've got to make the chase first, so first things first - get in the chase. But I've been saying it all along since last year, I want to skip the first 26 races and I want to go right to the last 10 again. That's where they pay the money. That's the championship is the last 10, so kind of whatever we do in the first 26 has a big impact because you've got to make the chase and the higher up you are the better, but the real focus is those last 10.
Suddenly, after years of television being the poor relation and film being everything, it now feels like film is a conjuring trick. It's like, "Oh, my god, how are you going to do that in 90 minutes, as opposed to eight hours?! I've got so little time to do this!" It becomes an art form, in itself. Doing both helps you do each one.
I don't think you should ever say, 'This is the last time'. Music isn't like that. You'll be sitting there not wishing to get onto a stage again for maybe two, three, four, five months, or maybe a year, then suddenly you'll wake up and feel like you've got to do it again. It's in the blood, and I never say never.
I think it happens with every career when you've been around 10 or 12 years. You start to get on cruise control a little bit, then you freak out and go, 'Oh my gosh, we've got to change some things up.'
I think the old school, back in the day, 10 to 15 years ago in music, is like you launch one single and you just let that ride out. Right now, you've got folks like Chris Brown, he just won't let up, he's got mixtape after mixtape, they're playing songs on the radio from the mixtape and then he's got songs on the album and videos and he's got remixes he's jumping on.
Every time I sit down and write I got to put something conscious in there. It's like I got a job now. They say that for those that know you got to deal in equality. If you know and you don't speak on it and don't apply it, it's like you're the worst hypocrite. I feel I got a job to do, being that I study so much and I believe in Allah like I do, I feel like I got to spread the word.
I spent 10 or 15 years doing visual effects and, if I learned anything from that time, it's that you do the best work when you let things go wrong and embrace the happy accidents. Then suddenly it feels fresh and you're somewhere new.
My sisters like cooking at my place. It has a bit more room, and the food tastes a little bit better. A big pot of spaghetti and sauce, some warm French bread - works all the time. I think I've been eating pasta for 26 years.
It's very hot and humid in Houston. Being in L.A. for 10 years, that kind of spoiled me a little bit, so every time I got back home, I'm like, 'Damn it's hot out here.' But I love it.
I got into film in an odd way - when I was 17 years old I participated in a Swedish film as an actor. I think every person at that age should get a role in a film, because during that time you want acceptance, and when you have a role in a film you become an important person. I think about that now, and that was my fantastic starting point.
When I got to L.A. I woke up and I was losing my voice because of the dry air. It was like, "Oh my god, this is going to be Joe's Pub all over again."
If you're on a date and somebody comes up and says, "Oh, I loved you in Harry Potter," it's a bit weird, because you suddenly start thinking, "Oh, God. Is this weird for the other person I'm here with, or is this weird for my family?" But generally speaking, I don't really think because I was thrown into it so young and kind of always had that, it's just something you get used to. And most of the time... It was interesting.
Free got famous fast, and it was a shock. You're working towards it, and when you suddenly get it with bells on, it is a bit much. I don't know how well I dealt with it.
Being in Oxford can be a bit like being on holiday - there's plenty of time spent in the pub.
At age 26, I was chairman of UB Group but living like a 26-year-old. I lived my age. Which youngster doesn't like a Ferrari? Which youngster doesn't like a good time?... but my contemporaries were R. S. Goenka and Dhirubhai Ambani, captains of the industry but twice my age. You wouldn't necessarily expect them to be driving around in Ferraris.
Travel, for me, is a little bit like being in love because suddenly, all your senses are at the setting marked 'on.' Suddenly, you're alert to the secret patterns of the world.
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