I play in a league that's 70 percent black and my peers, guys I come to work with, guys I respect who are very socially aware and are intellectual guys, if they identify something that they think is worth putting their reputations on the line, creating controversy, I'm going to listen to those guys.
Is it different to come out now than it was to come out thirty-five years ago? Sometimes. But if you come out now and you come from poverty and you come from racism, you come from the terror of communities that are immigrant communities or communities where you're already a moving target because of who you are, this is not a place where it's any easier to be LGBT even if there's a community center in every single borough.
The initial thought is like, 'Damn. Most guys used to retire after the Achilles injury.' Nobody really but Dominique Wilkins has come back to be the same person as he used to be or better; but now, more and more guys come back and they're healthy.
I mean to me, the harpsichord has a huge dynamic range. And I always say to people, come and listen to it. You know, come and listen. Come and actually experience this and realize there's good harpsichord playing, there's bad harpsichord playing. By the way, I am fun outside of this context.
Listen, we've drafted guys that wouldn't come in for workouts before. It's not the end of the world.
I expect people that come to the studio to work to come with the same energy I come with. If I see less than that, I get very strong about, if you want to do this, come with a sense of pride, come with eagerness and anxiety.
Not a whit, we defy augury: there's a special providence in the fall of a sparrow. If it be now, 'tis not to come; if it be not to come, it will be now; if it be not now, yet it will come: the readiness is all.
Here's what I would want for humanity, because this is what I have come to see is true: it's so simple when we listen to people.
I've got to be honest: I don't listen to any music now. I don't even listen to mine! I like to walk fresh into the studio and have ideas that come straight out of me.
My mother was very wary at first. And now she's come around 180 degrees. She's, like, one of my biggest fans now. Like, she'll come over to my house, and she'll be like, 'OK, listen. I need two T-shirts from the comedy show, and give me three DVDs. The neighbors are asking for them.'
Look, I come from vaudeville, I come from burlesque, I come from heartaches, I come from sadness, I come from gladness, I come from work and sweat and respect for the craft.
When I was younger I didn't want to listen to anybody, but now more than ever where I am in my life I understand how important it is to listen, observe, absorb, and let that all come out through your music.
Come, come, whoever you are. Wanderer, worshiper, lover of leaving. It doesn't matter. Ours is not a caravan of despair. Come, even if you have broken your vows a thousand times. Come, yet again, come, come.
But these guys learn so fast now, they sort of soak up the information, they're fearless. Those are the guys who learn from their mistakes and come back strong the next time.
I used to edit myself. If something seemed super-simple I had to make it more complicated. Now I'm trying to let what's in there come out and acknowledge where I come from. I'm trying to make it more. ..true.
When we come to an edge we come to a frontier that tells us that we are now about to become more than we have been before.