A Quote by Robert Pattinson

You're trying to play an archetype on one hand and a character on the other, so I felt insanely frustrated, right up until the last shot, and then it ended. — © Robert Pattinson
You're trying to play an archetype on one hand and a character on the other, so I felt insanely frustrated, right up until the last shot, and then it ended.
You're trying to play someone [Edward Cullen] who's seen by a lot of people as being this perfect thing, but what is that? That doesn't really mean anything. You're trying to play an archetype on one hand and then a character on the other, so I felt insanely frustrated right up until the last shot, and then it ended.
I still had the same frustration with trying to play [Edward Cullen], the entire way through, right up until the last shot. It's a strange part because, on the one hand, a lot of the audience projects their idea of Edward[Cullen] onto him. It doesn't matter what he is. They want him to be a certain way. And then, my instincts were to try and play it and to try to find the fallibility in him and the weaknesses.
When I was 13 they were saying your album won't come out until your sweet 16. I felt really frustrated because that felt like forever from then and I felt like I was ready then. Looking back I wasn't ready.
We are the last remaining country to allow ourselves two breaks in the season. You just have to look at England, Italy and Spain, they play right through the season. We on the other hand take six weeks off in the winter until the end of January, and that is a luxury.
So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent...and right when your song ended, I knew - just like your mother - I was a goner.
Even if I do miss a shot, I'm going to be comfortable to get back up there and shoot the same shot again. Make or miss, I'm not going to be frustrated but move on to the next play.
Every so often, we - women in film and TV - get annoyed and frustrated. We kick up a fuss and make some gains. But then we become complacent, and things slide backwards again until the next generation comes up and gets frustrated again.
I've had a lot of majors where I didn't play well until the last round. Keep yourself in contention; that's the name of the game. I usually ended up shooting a good round and all of a sudden, somehow, I won.
When I was a kid, I felt like I could do anything and play anything. I just felt super-confident. And then, once I started to play music professionally, maybe it's from being from a small town, but you grow up and then you're suddenly a big fish in a small pond, and I realized that there were a billion other drummers out there that could play as good as you or better, and everybody wants that job.
We [with Rick Rubin] would focus on the ones that we did like, that felt right and sounded right. And if I didn't like the performance on that song, I would keep trying it and do take after take until it felt comfortable with me and felt that it was coming out of me and my guitar and my voice as one, that it was right for my soul.
I think if you know one direction, then you can feel the other one. I don't think you can be truly, insanely joyous if you haven't ever felt the flip side of it.
I was a frustrated musician, frustrated designer, frustrated art director, frustrated novelist, right. I'd fail at all these different professions.
I was angry and frustrated until I started my own family and my first child was born. Until then I didn't really appreciate life the way I should have, but fortunately I woke up.
I was angry and frustrated until I started my own family and my first child was born. Until then I didn’t really appreciate life the way I should have, but fortunately I woke up.
I've known Emma Watson since she was 9, we've watched each other grow up, formed this sort of brother/sister bond, and suddenly I'm leaning in to kiss her. Well, it felt completely wrong... but, you know, you try to sink into the character and divorce yourself from it. We ended up laughing hysterically afterwards.
In all chaos there is a cosmos, in all disorder a secret order... we are caught and entangled in aimless experience... Only when all props and crutches are broken, and no cover from the rear offers even the slightest hope of security, does it become possible for us to experience an archetype that up till then had lain hidden behind the meaningful nonsense played out by the anima. This is the archetype of meaning, just as the anima is the archetype of life itself.
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