A Quote by Robert Pattinson

I like being a part of David Cronenberg’s world, I feel very at home there — © Robert Pattinson
I like being a part of David Cronenberg’s world, I feel very at home there
Sometimes I go, 'Wow, this is a director I really, really want to work with,' like David Cronenberg. I haunted David Cronenberg for years before, and then he offered me a role.
I suppose a good director is like a teacher. I think that someone like David Cronenberg was very much like a teacher, because there's an openness, but a certain set of rules of behavior, and a certain conduct expected. But there's an atmosphere that's relaxed and conducive to exploration, and that is created by someone like Cronenberg.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.
I love what many of my contemporaries are doing, especially people like Terry Gilliam, David Cronenberg, P. T. Anderson, and Alfonso Cuaron.
It was a very critical moment for me when I began working with David Cronenberg and seeing this amazing director and creator choose to base himself out of Toronto.
I think film is a director's medium and the good filmmakers that I like tell the darker stories. Therefore, I'm always inclined to follow people like David Cronenberg.
I like a twisted sense of humour. On 'A History of Violence,' David Cronenberg and I would be doing the grimmest scenes and laugh a lot.
David Cronenberg knows what we actors do as artists.
You can't compare David Cronenberg's 'The Fly' to the older version.
The people, the culture... there's so much magic in Colombia, so I feel like being a kid, being able to have that, being able to also call Colombia my home, it was such an important part of my introduction as an artist, too, because it's such a big part of my life as a human being.
If anyone is tweeting right now, I'm not pulling a knife on David Cronenberg!
I've never known a writer who didn't feel ill at ease in the world. We all feel unhoused in some sense. That's part of why we write. We feel we don't fit in, that this world is not our world, that though we may move in it, we're not of it. You don't need to write a novel if you feel at home in the world.
I've always felt like I was an actor for hire. And almost apologetic for being a woman of color, trying to stifle that voice. But I don't feel that way in Shondaland. I feel like I am accepted into a world where I'm a part of the narrative - I'm a part of it.
Home is essentially a set of values you carry around with you and, like a turtle or a snail or whatever, home has to be something that is part of you and can be equally a part of you wherever you are. I think that not having a home is a good inducement to creating a metaphysical home and to being able to see it in more invisible ways.
I love the 6 Nations rugby. I feel very Scottish then. I feel very Scottish now, sitting in the middle of Chelsea. But that's part of our heritage - being part of Britain, part of Europe. I love being European.
I love the 6 Nations rugby. I feel very Scottish then. I feel very Scottish now, sitting in the middle of Chelsea. But thats part of our heritage - being part of Britain, part of Europe. I love being European.
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