A Quote by Robert Pattinson

Whenever I have to do anything fan-related there's always a whole bunch of people. My brain kind of shuts down when there are loads of people screaming at me. I'm not thinking at all so I can't really remember what's happened immediately afterwards.
When I play, I'm so in the moment that I can't really remember what happened afterwards. It's a rare experience for a thinking person like me.
I was in Manhattan during 9/11, and that was really the only thing that I related to as far as a disaster on a grand scale. It was really interesting to see on that day and in the weeks afterwards how people came together, and what people were able to do for each other, and what I found myself feeling and thinking and doing for the people around me, whether it was strangers on the street or my own family. It was really an experience that you can't fake.
Whenever anything nice happens in the world I always expect something appalling to happen immediately afterwards.
I see people allowing their lives to diminish, to become shallow, so they can't enjoy the deep wells of experience. Maybe it's always been this way, when the heart tends to shut down. If only the heart shut down and there were no repercussions, it would be O.K., but when the heart shuts down, the whole system goes into a kind of despair that is intolerable.
At the premiere for 'Leave It to Beaver,' I was walking down the red carpet, and they were screaming my name, and I'm wondering, 'What do I do?' So I had to think, 'OK, calm down, one person at a time.' Everything is kind of rattling, but afterwards, my publicist said I did really good.
In a small cathedral town where changes are few, there are always people who remember who used to live in a particular house, what happened to them there and afterwards, and so on.
I always get because people remember me as a really small, skinny kid. And then when they meet me, I'm just kind of towering over them. I'm 6'2. I'm not a giant, but compared to what a lot of people remember me as, it's a little bigger.
I really kind of liked the fluidity and not really being tied down. I saw the kind of people that were tenured and what happened to them there and I thought it was kind of death, really.
When the time came to say, "Mom, I want to do this as a job," it was brutal. She was really against it. There were screaming matches. Some people are shut down by that and get defeated by it, and other people are empowered by the negativity. My father kind of encouraged me through that.
Then I went through a whole bunch of crap with my lousy movies and pop records. I had people behind me kind of steering me in that direction, but it wasn't really my bag.
Anything crime related and anything excessively bloody and violent, my brain immediately goes to the science. I think about, "How did you do this? How can we catch you?"
But Lunch Isn't That Bad, Really Once I get used to having to eat with two people instead of one. Two people who have known each other for such a long time that they practically speak in code. Two people who are always saying, "Remember the time when this happened?" and "Remember the time when that happened?" (Which, of course, I never do, because I wasn't there.) Well, okay, it is that bad. It sucks, even.
Led Zeppelin didn't get that kind of Beatles screaming. We had a more sort of macho crowd. But I remember once in the early days of The Yardbirds, we were playing on an ice rink, and the stage was mobbed by screaming girls. I had my clothes torn off me. That's a really uncomfortable experience, let me tell you.
Everything's always got to be character-based. We know we can't, if we're sitting in the editing room, watch the sequence for more than 20 seconds without a character having a point of view or moving the action forward; my brain just shuts down, or I start thinking about my laundry.
Most of the really good songs are dead true. ... It had to have happened to have the song be there. Every time I've tried to make stuff up it just kind of falls flat. So the majority of my work is something that happened to me, I saw happen to someone else, or a friend of mine told me happened. There is a certain amount of theatrical and poetic license. People are supposed to like it, that's why you're doing it. It's supposed to be fun. It's not brain surgery, it's heart surgery. They're just songs.
At a certain point your brain stops to rationalize things. At a certain point it gives up, shuts off, shuts down.
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