A Quote by Robert Pattinson

I did this movie about Salvador Dali a few years ago and had hair extensions and a little bob. That was incredibly bizarre. — © Robert Pattinson
I did this movie about Salvador Dali a few years ago and had hair extensions and a little bob. That was incredibly bizarre.
Every morning upon awakening, I experience a supreme pleasure: that of being Salvador Dali, and I ask myself, wonderstruck, what prodigious thing will he do today, this Salvador Dali.
It's Frank's painting on the cover. We were originally going to use a Salvador Dali painting that we got permission from Salvador Dali to use, and Frank found this one, and it really did fit the music much more.
Every morning when I wake up, I experience an exquisite joy - the joy of being Salvador Dalí - and I ask myself in rapture: What wonderful things this Salvador Dalí is going to accomplish today?
I'm always happy to talk to somebody; it's flattering that people remember your movies. Especially some movie that you did, for Christ's sake, almost 35 years ago, or what's especially pleasant is if you're talking about some movie that you did 35 years ago and they're 20 years old.
If I had a Salvador Dali painting, I would cuddle it to sleep.
Look, Salvador Dali did not paint because he needed the money. No conversation about materialism and music makes sense. You make music and that's that, it doesn't matter why.
Few years ago I did a movie, Good Kill, about drone pilots and for four or five months I'm obsessed with the Air Force.
My spiked hair goes back about 15 years ago. I had long, curly rocker hair then. The woman who cuts my hair thought I needed a new style, so I let her surprise me. I flipped when I first saw it, but I soon realized the look was really me. I've always been a little crazy.
Politicians learned hundreds of years ago that people who had little material wealth were incredibly jealous of those who had more than they did. This deep-seated envy was ripe for exploitation - and the exploitation has been running rampant for generations.
Surrealism - in particular with Salvador Dali - was all about ego. It was all about extreme individualism.
When I was a Laker Girl, I only danced for three months. We did not get paid that much money, and I was working two jobs at the time. I thought that it would be a little more fun, but it was quite stressful. It's all about your weight, your hair, having the right hair extensions, what to wear, the kind of shoes you wore.
A few years ago I appeared on GLEE and, Jane Lynch and I did a remake of the song that was very popular - someone told me it was in the Top 100 when it was released. First, walking on the set of GLEE the day we filmed it was surreal as they had recreated the entire original set from the music video. It was bizarre - but fun.
If they made a movie about Bob Dylan, I would love to play a young Bob Dylan; I mean, I've got the wild hair.
Years ago, when I first started wearing hair extensions, I would get mail from young girls, or young girls would come up to me and they would say, 'Tyra you have the most beautiful hair, like I could never grow hair like that!' And I would say 'Child, this is a weave!'
Let me be the first to admit that the naked truth about me is to the naked truth about Salvador Dali as an old ukulele in the attic is to a piano in a tree, and I mean a piano with breasts. Senor Dali has the jump on me from the beginning. He remembers and describes in detail what it was like in the womb. My own earliest memory is of accompanying my father to a polling booth in Columbus, Ohio, where he voted for William McKinley.
Few changes are allowed in Palm Beach, making it an anachronistic little village where everything looks almost the same as it did years and years ago.
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