A Quote by Robert Payne

Conquest, tyranny, treachery, and the clash of cultures bring about corrupt societies, and so does old age. Sometimes the five faces of corruption are visible at the same time.
The corruption of the age is made up by the particular contribution of every individual man; some contribute treachery, others injustice, atheism, tyranny, avarice, cruelty, according to their power.
Democracy in itself does not define or guarantee a free society. History has told many stories of democratic societies that have degenerated into corruption, plunder, and tyranny.
The Arab world is full of corruption, in the time of the dictatorships and in the time of anarchy. This corruption is not only in politics and the economy, but also in the field of creative activity. There's an elite that controls the festivals, the newspapers, and the reviews. They are just a corrupt clique with no interest in creativity.
There is a lurking sense that there is a kind of seedy corruption underlying a lot of public life today. But while journalism does a very good job of describing that corruption, it is failing to bring it into a bigger focus. To explain what it is all about.
People are always spewing this horseshit about how age doesn't matter. Well, it does matter! I'm thirty-five, and I'm happy to be thirty-five. I can't pretend I'm still a snot-nosed 21-year-old.
It should come as no surprise to readers of the MAPS Bulletin that psychedelic plants are used as a sacrament by many native cultures all over the world. It may not be so obvious that these same plants are often incorporated into the coming-of-age ceremonies of these various societies.
Age is a very psychological thing; I do not know how old I am if you ask my age. Age is calculated by when you get born, but I do not agree with that parameter. I sometimes feel like 25, sometimes 12 and at times 40, and I love that about myself as an artist. I am not stuck to a particular age.
If war can indeed be turned into a relic, then the virtue of greed will recede further. From a given society's standpoint, one big upside of wanton material acquisition has traditionally been the way it drives technological progress-which, after all, helps keep societies strong. In the nineteenth century, Russia ans Germany had little choice about modernizing; in those days stasis invited conquest. But if societies no longer face conquest, breakneck technological advance is an offer they can refuse, and frugality a luxury people can afford.
Suicide is what everyone young thinks they'll do before they get old. But they hardly ever get round to it. They just don't want to commit themselves in that way. When you're young and you look ahead, time ends in mist at twenty-five. 'Old won't happen to me', you say. But old does. Oh, old does. Old always gets you in the end.
Old age and treachery will always beat youth and exuberance.
I never think about age. I believe your age is totally how you feel. I've seen women of thirty-five who are old and people of seventy-five who are young. As long as I look after myself physically, mentally and emotionally, I'll stay young.
Anyone in a position of power is either corrupt or assumed to be corrupt, and the assumption of corruption is as bad as the reality of it.
Our working hypothesis is that the status of knowledge is altered as societies enter what is known as the postindustrial age and cultures enter what is known as the postmodern age.
When you show a corrupt police officer in a film, you don't mean that all policemen are corrupt. You just point to the fact that there is corruption in the system.
We've seen over time that countries that have the best economic growth are those that have good governance, and good governance comes from freedom of communication. It comes from ending corruption. It comes from a populace that can go online and say, 'This politician is corrupt, this administrator, or this public official is corrupt.'
My favorite band of all time is The Clash. The thing I love about The Clash is they started out as guys who could barely play three chords. They dabbled in reggae, punk, rap, jazz. They came to a sound that could only be defined as The Clash. It was impossible to say what it was. I admire them for that.
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