A Quote by Robert Penn Warren

I've been to a lot of places and done a lot of things, but writing was always first. It's a kind of pain I can't do without. — © Robert Penn Warren
I've been to a lot of places and done a lot of things, but writing was always first. It's a kind of pain I can't do without.
One of the blessings human beings take for granted is the ability to remember pain without re-feeling it. The pain of the physical wounds is long gone …and the other kind of hurt, the damage done to our spirits, has been healed. We are careful with those scarred places in each other.
My father did a lot of disaster relief work, and he was always in places where there was a lot of pain.
I wouldn't like to say that I spend most of my time on holiday, but I have done a lot of traveling and have been to a lot of places.
With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.
I've been a lot of places, and my wife, Denise, she likes a lot of the fancy restaurants. I'm more of a basic eater. I still go into Cracker Barrel. Those are the kind of people who like the kind of music I'm making.
I've always been interested in a lot of things, and a lot of things at the same time, and I always tried to explain them to myself. I ask a lot of questions.
Even though I've done a lot it also feels like I haven't done a lot. I've sort of popped in for supporting roles in things, and that's been really delightful.
I've been through a lot of pain in my life, but I strongly believe that without that pain I would not know love.
?If you want to be a writer, you must do two things above all others: read a lot and write a lot…reading is the creative center of a writer’s life…you cannot hope to sweep someone else away by the force of your writing until it has been done to you.
I'm not really concerned about boundaries. I just follow my conscience and my heart. Follow your heart. That's what I do. Compassion is something I have a lot of, because I've been through a lot of pain in my life. Anybody who has suffered a lot of pain has a lot of compassion.
I realize I have made a lot of mistakes and done things wrong. I've done things I wish I could have done in another way. I didn't come in with the same kind of desperation that I may have had on the first or second record. I didn't come in thinking, 'Oh God, please. I hope this does well because I have nothing else and I worked so hard at this.'
When you have pain, you have pain, and it's always, like, 30 percent there. Of course, there were some games when I was struggling a lot, but there are different solutions to solve it - anti-inflammatory and this kind of thing - so the pain goes away a bit.
I definitely write about things that are universal, that everyone can identify with. You're supposed to write about things you're passionate about and I guess I am a foodie. I do love food and it's kind of like I'm an eccentric observationalist guy. To make it kind of universal, I try a lot of different things. When I first started writing this, I was like, 'No food.' Then, you know, it just always goes there.
The first time I go out to Nashville, ever (at this point I had only heard the rumors about what it's like) I had three writing sessions set up. The first two canceled on me. I was kind of pissed off at that point. So I just went back to my hotel room and started writing. And even though I've been to L.A. and experienced a lot of things, at the end of the day I just start to feel like I'm playing acoustically at the first bar I ever played at.
People wonder if I'll always be a part of this family and the answer is yes. My family has a lot of good energy going in one direction and because of it, we get a lot of things done. That's why I'll always spend a lot of time at Camp Phoenix.
With my students I give them lots and lots of guided writing. Part of it is as simple as writing a lot but not toward anything. The mind floats. Then I help them see where the language has heat. If we do this a lot in class, students eventually relax into this writing practice and enjoy it. Even just that - writing pleasure without the anxiety of "audience" or "grade" or "success" - is a kind of impetus toward the unfamiliar.
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