A Quote by Robert Picardo
I'll never forget my first moment of looking out on a convention audience with my mouth open like they were kidding me.
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But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.
When I performed at 'Open Mic U.K.' I had this connection with the audience that I'd never felt before, and I loved it. It was my first big thing, and looking out into the crowd... was just amazing.
I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.
There were a lot of people shouting out. I know it's not proper tennis etiquette, but this is the first time I've ever played here that the crowd has been behind me like that. Today I felt American, you know, for the first time at the U.S. Open. So I've waited my whole career to have this moment and here it is. ... It was great. It was awesome. It was like winning gold.
You see thousands of films you forget the minute you come out of the cinema, don't you? Because they don't mean anything. It's the tough ones like 'Breaking the Waves' and 'Nil By Mouth' that stay with you, that you never forget. I'd like to leave a few of those behind if possible.
Forgotten? No, we never do forget:
We let the years go: eash then clean with tears,
Leave them to bleach, out in the open day,
Or lock them careful by, like dead friends’ clothes,
Till we shall dare unfold them without pain,—
But we forget not, never can forget.
He was very supportive of me, ... He saw every single play I did in New York. Ill never forget looking out into the audience and watching my brother, who was 40 years younger than my grandfather, sleeping in his chair during some of my early plays. My grandfather Alex never fell asleep.
My first Comic-Con was when I first met Joss Whedon: He introduced me to that world and I'd never been to a convention before that. He and a bunch of the 'Buffy' and 'Angel' writers were all going down in a big van and he invited me along.
I would like to use this little flower as a metaphor. The five petals of the little forget-me-not flower prompt me to consider five things we would be wise never to forget....first, forget not to be patient with yourself...second, forget not the difference between a good sacrifice and a foolish sacrifice...third, forget not to be happy now...fourth, forget not the why of the gospel...fifth, forget not that the Lord loves you.
In the late '70s I was asked to sing for the first time in Germany. I'll never forget it. It was at a festival in Bremen. The German audience went berserk and the reviews were a phenomenon. For some reason the German audience understood how technically challenging this music was; it wasn't just someone yelling their head off.
Don't let a single comic moment pass you by; then help the audience get the laughs. Give them permission to laugh by holding for laughter and by letting them know early on what they're in for. In the first few moments, the audience is gathering information, looking at the scenery and costumes. Create a comic moment as soon as you can.
For me, my first big heartbreak is actually sports-related. The team went out and got spanked on our home field. I'll never forget how I cried after the game, because I'd been denied the opportunity to help the team in the championship game. It was like the coach forgot what had gotten us there. So, I never got to hold the trophy or savor a state championship. And I'll never forget that first bitter heartbreak.
He first selected the smallest one...and then bowed his head as though he were saying grace. Opening his mouth very wide, he struggled for a moment, after which all was over. I shall never forget the comic look of despair he cast upon the other five over-occupied shells. I asked him how he felt. 'Profoundly grateful,' he said, 'as if I had swallowed a small baby.'
I'm a long way from being evicted [at the age of 14], but I'll never forget it. I'll never forget the feeling. I'll never forget my mom crying and I'll never forget the thought I had: 'Well the only thing I can do is just go build my body,' because the men who were successful that I knew of - Stallone, Arnold, Bruce Willis - they were men of action.
By the Angel," Jace said, looking the demon up and down. "I knew Greater Demons were meant to be ugly, but no one ever warned me about the smell." Abbadon opened its mouth and hissed. Inside its mouth were two rows of jagged glass-sharp teeth. "I'm not sure about this wind and howling darkness business," Jace went on, "smells more like landfill to me. You sure you're not from Staten Island?
I shall never forget Juliek. How could I forget this concert given before an audience of the dead and dying? Even today, when I hear that particular piece by Beethoven, my eyes close and out of the darkness emerges the pale and melancholy face of my Polish comrade bidding farewell to an audience of dying men.
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