A Quote by Robert Picardo

I could not play a straight-ahead courageous hero. It's not what I do. — © Robert Picardo
I could not play a straight-ahead courageous hero. It's not what I do.
Walk straight ahead look straight ahead don't stop don't pose sharp turns be confident love yourself.
There's a million and one things an actor can do with a villain. He can go for all kinds of quirks and tricks. The hero is much harder to define for an actor. When you play a straight role or a hero, you're kind of stuck, It's much more difficult to give a good guy interesting qualities or to make him unusual.
When the first Superman movie came out, I gave dozens of interviews to promote it. The most frequent question was: What is a hero? My answer was that a hero is someone who commits a courageous action without considering the consequences. Now my definition is completely different. I think a hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.
It's so refreshing to just play straight-ahead music with lots of twists.
Growing up, we never got to see a hero who didn't have superpowers who looked like us, that you could kind of look to and say, 'I could be that guy one day. I could be a patriot. I could be a soldier. I could work in the government and be a hero.'
The ordinary man is as courageous and invulnerable as a hero when he does not recognize any danger, when he has no eyes to see it.Conversely, the hero's only vulnerable spot is on his back, and so exactly where he has no eyes.
In 'Njan Prakashan,' we set aside conventional definitions of a hero. Fahadh Faasil does not play a protagonist who wins all the time and you can see the character flee during fights. Such a hero is a rarity and the viewers could easily identify with him.
I love the idea of a movie hero in a thriller who is able to get ahead by just his brilliance, and not with a gun or by being an action hero.
As a hero, you have to play it straight. The audience is going to live through you, so you have to be more neutral. They will be projecting their thoughts and their actions onto the main character.
A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.
I always thought it would be really fun to play a villain. I feel like I haven't done that yet. Not an anti-hero, not someone who is flawed, but somebody who is just straight-up bad.
My father could look straight ahead but concentrate on something on the very edge of his vision, almost nearly behind him.
I'm always embarrassed when people say that I'm courageous. Soldiers are courageous. Policemen are courageous. Firemen are courageous. I just have a thick hide and disregard what silly people say.
Every character I play is straight, which is unique, my agent says, because it's not really been done before that someone who is completely out is able to play straight roles.
You can't play Batman in a serious, square-jawed, straight-ahead way without giving the audience the sense that there's something behind that mask waiting to get out, that he's a little crazed; he's strange.
Many survivors insist they're not courageous: 'If I were courageous I would have stopped the abuse.' 'If I were courageous, I wouldn't be scared'...Most of us have it mixed up. You don't start with courage and then face fear. You become courageous because you face your fear.
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