A Quote by Robert Picardo

The best way to tell an actor he's going to be working more and much harder is to appeal to his ego. — © Robert Picardo
The best way to tell an actor he's going to be working more and much harder is to appeal to his ego.
Basically, I'm going to take what you did, the bare-bones structure of what you were trying to do, how you were attacking the song, and attack it in pretty much the same way, just with more intensity to show you that you could've come harder. Like, I've been in situations where I've had to tell a cat how to rhyme his rhyme.
Workers in the United States are making less than they were almost 20 years ago, and yet they are working harder.But so am I working harder, that I can tell you.
I do think that the role of the Internet, and the way it's bringing everything into the home, has made a parent's job much more difficult. And it's harder to know what to do and how to do it. It's much, much harder.
Of course any actor is going to be happy to be nominated for an Oscar - absolutely - but I don't really think of it in that way. I've never really thought of my job in that way, because that's just a lot of pressure to be working towards one goal. I'm much more interested in finding roles that make me feel happy about going to work every day.
I can remember loving to recruit. I knew I was going to do my best. But traveling and recruiting doesn't appeal to me any more. It's not as much fun as it used to be.
The more pressure that an actor puts on himself, the harder it is to deliver behavior that's interesting, and so I just try to find a way without talking too much.
You have to put your ego aside as an actor. Or you're using your ego to tell the story. Your body is a part of a tool to tell the story. So if you feel something, it's wrong. It means you're not inside of the character.
Nothing is harder than working with an actor who doesn't take it seriously or show up in the same way that you are.
It’s okay. Let your ego push you to be the initiator. But tell your ego that the best way to get something shipped is to let other people take the credit. The real win for you (and your ego) is seeing something get shipped, not in getting the credit when it does.
What really motivates me to climb harder and harder is not necessarily that I want to push my limits or show who's best, but climbing harder and harder routes makes it more fun.
I know one thing for certain; it is much harder to tell whether you are lost than whether you were lost, for, on many occasions, where you are going is exactly where you are. On the other hand, if you often find that where you've been is not at all where you should have gone, and, since it's much more difficult to find your way back from someplace you've never left, I suggest you go there immediately and then decide.
If you talk to any actor, they'll tell you that working is the best thing.
The biggest thing about me, as an actor, is I'm never a finished product, you know? I always want to try something or be in a new genre because, one, it's much more fun to do that because you're not doing the same thing over and over. One of the greatest reasons is that it keeps stretching you as an actor. So, hopefully, my method is that it makes me a better actor, and a more believable actor, so then, the more experience I have in any way possible, in a drama or a musical genre, different formats of working, the better I can be on all different platforms.
Ego is something that everybody, creative especially, has to grapple with. You need enough ego to keep going but not so much ego that you're deaf or blind, that you're making a mistake and can't fix the course.
I have only recently got interested in film, and it is a strange way of working in many ways. But actually, when it is at its best, it's quite an extraordinary way of working between a director and an actor, to really explore an inner life.
There's a million and one things an actor can do with a villain. He can go for all kinds of quirks and tricks. The hero is much harder to define for an actor. When you play a straight role or a hero, you're kind of stuck, It's much more difficult to give a good guy interesting qualities or to make him unusual.
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