A Quote by Robert Picardo
Jerry Goldsmith's 'Voyager' theme is a brilliant reworking of the original material.
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Jerry Goldsmith is the #1 composer working now. He's open to new ideas and always inventing.
Creativity has to start somewhere, and we are true believers in the power of bracing, candid feedback, and the iterative process - reworking, reworking, and reworking again until a flawed story finds its through line or a hollow character finds its soul.
Jerry Goldsmith is an artist who meets all the demands upon the composer in films. He communicates, integrates, subordinates, supports, and designs with discipline.
What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.
The 'Next Generation' and 'Voyager' are about even; I think 'Voyager' is mildly superior, although Picard is the quintessential captain.
It's very hard for a studio to take a chance on a piece of original material. They used to have the fall-back of DVD sales. They had ways in which they could safely make an investment in a piece of original material, and those opportunities aren't necessarily there anymore.
I think that purists may regard the '80s and Jerry Goldsmith being the quintessential example of film scoring, but that was also a very prominent type during a time when soundtracks were purely songs, and there was very little score.
the 'total overpaintings' developed... through incessant reworking. The original motif peeped through the edges. Gradually it vanished completely.
Jerry Goldsmith, I have to say, is my single favorite composer of all time. He was one of the most innovative guys ever to do it. You go back to 'Planet of the Apes' and it is just a monumental score - the sound design and approach to percussion was just so extraordinary. One of his great scores for me was 'Alien.'
For me, Twitter is a public persona. It's UbuWeb or Kenneth Goldsmith (as opposed to Kenny Goldsmith). I don't interact. It's a lousy form for conversation and opinion (what can you really say in 140 characters?), but a wonderful propaganda and sloganeering tool. I use it as a one-way street.
I took part of Alan Silvestri's theme on the original movie, which I really liked, and I pulled it into it new theme, which became kind of a hybrid. I really enjoyed that.
You never want to have a movie be derivative, because that's the worst if you ask me. I always want to be in original material, or an original idea, or an original vision, rather than a rehash of some other movie.
The goal of the work is always for it to come across as original material, as transformative material.
Earth is the material with the most potential because it is the original source material.
Cassini is different -- it's a mission of enormous scope and is being conducted in grand style. It is much more sophisticated than Voyager, ... I can't say it's got that flavor of romance, though. Voyager was very romantic. Cassini is spectacular.
Jerry Garcia was one of the original American icons. He played naturally and beautifully.
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