A Quote by Robert Picardo
When we shot the pilot for 'Voyager,' Armin Shimmerman, who played Quark on 'Deep Space Nine,' was very gracious and outgoing about preparing us for these personal appearances. Still, nothing really can prepare you for the first time when you walk out on stage and 2,000 people in a room stand up and applaud simply because you're there.
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The best part about being a stand-up is the connection with the audience. There's nothing more gratifying then when you can make 300 people applaud and stand up - because that's all you.
My stage name has always been 'Armin van Buuren.' When I really started DJ'ing professionally, I already had a few U.K. hits under my belt under the name 'Armin', so I couldn't really change that anymore.
The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.
In my living room - it's probably going to be moved to my office soon because it freaks too many people out - I have a huge seven foot statue of 'Seven of Nine' of 'Star Trek Voyager.'
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
We called the new [fourth] quark the "charmed quark" because we were pleased, and fascinated by the symmetry it brought to the subnuclear world. "Charm" also means a "a magical device to avert evil," and in 1970 it was realized that the old three quark theory ran into very serious problems. ... As if by magic the existence of the charmed quark would [solve those problems].
I could never do stand-up because it's that thing of having to get up on stage. And out of every 10 jokes you tell, nine of them have to get a really good response.
When 20,000 people applaud you as you walk out to do your job, it should be an inspiration.
Who I am on stage is very, very different to who I am in real life. But I don't see that having a sexy image when you are on stage means that you don't love God. No one knows what I'm really like from that. I like to walk around with bare feet and I don't like to comb my hair. I'm always so glammed up and so diva on stage and that's what they see. People don't understand that... No one knows my personal relationship with God and it's not up to me to prove that to anyone.
My dressing room was right on the water, and I would climb out of my window and walk around on the roof, whenever I needed time to think, or whenever I couldn't get a scene together. My father even came out there on the roof with me. We just walked around and talked up there, just to get away from everything, and nobody could get to us there. I really do love that place very much. It holds a very deep-rooted place in my heart.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
Here's the thing: I did one episode of Deep Space Nine, and I loved everybody that I worked with. People couldn't have been kinder... But I had a really, really difficult time with the prosthetics.
During my stage shows, I am so energetic. It's constant! I just don't stand still. I actually got given a mic stand from my team to say 'Just calm down. Stand still for at least two songs.' But now I just pick it up and walk around with it.
I started doing stand up when I was 19. Because I was underage at the time, at certain clubs I would be forced to wait outside until it was my time to go on stage. Then I would do my set, walk off, and be kicked out again.
It's always a strange moment when you get up on stage because in a way that's really the fulfilment of what you do, but at the same time when you write from a place that's very personal and quite isolated, at least for me, there's something that almost doesn't feel natural about it.
Whether you do stand-up comedy or write a story, you have a duty to deliver. As a comedian, you walk out on stage, and you have a minute to hook them, or they'll start booing. As a writer, it's very similar. A reader doesn't have time to say, 'I'll give him 50 pages, as it's not very good yet, but I hope it'll get better.'
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