A Quote by Robert Pinsky
There is something cathartic about having absolute loss articulated.
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When I go to movies and I love the movie, it's because it feels like it articulated something about how we're living now, and also gives me some insight into my own life. I feel actually altered after having seen it.
Violence has been a part of storytelling forever and there's obviously a reason for it. Fairy tales are really violent, the original ones. I think there's something cathartic about having kids live through their fears through a book or any kind of story.
You can make a lot of cases that you can take the win stat out of the game and you can still figure out who the good pitchers are, and I agree with that to some extent. But there's something about your win-loss record, there's something about having wins by your name that means something. Regardless of how important that is.
There's something about doing stand-up that's cathartic.
You can't relate to an absolute or it wouldn't be absolute, it would be relative. On an intellectual level, that's easy. However, you hear theologians in the theistic traditions talk about absolute God, and I saw God, or God spoke; speaking, being seen, these are all relational things. So what is absolute about such a being, wouldn't actually be absolute.
It seemed inevitable to try to address my feelings about everything that had happened. To a certain degree, it felt cathartic, but it's less cathartic to me than it is illuminating and helping me navigate my own feelings.
A vampire is a flexible metaphor. You know, death, sex, change, stagnation, loss of self, loss of agency, having to keep one's real self secret, the possibility of something lasting forever: love, hate, grief.
A lot of people say it's cathartic to cook, and I'm like, 'How is it cathartic washing all these dishes?'
There is a big difference to someone being born with vision loss, to a kid having vision loss, to a senior having macular degeneration and losing their sight.
To me, having 'material' for an essay means not only having something to write about but also having something interesting and original to say about whatever that might be.
It's not success that makes a person's life worthy of legend. It's provocative defeat, someone who struggled mightily and lost. And that loss can't just be gratuitous - there has to be something about his or her character that whittles that loss into something provocative.
So if you're on the motorcycle, on the track you're not thinking at all about what's happening next week or tomorrow or anything. You're literally thinking about the turn you're setting up and there's something about that I find very cathartic and meditative.
Mostly singing was cathartic, writing was cathartic, therapeutic. I don't think I had a goal, particularly, to sing or put it out there for anybody.
It's important to me that the words that I put out there into the cosmos, into the universe, be empowering or somehow positive for people that hear them, or maybe be cathartic if someone is having a relationship that's having a tough time.
There's something cathartic about swearing 150 times after spending ten hours in the editing room.
The violence for me is never meant to be entertaining. It's meant to hurt the characters and I'm trying to show the impact it is having on the people involved with it. If there is cathartic violence at the end, then it costs the protagonist something. It's not just a blaze-of-glory moment.
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