A Quote by Robert Pinsky

In jazz, as in poetry, there is always that play between what’s regular and what’s wild. That has always appealed to me. — © Robert Pinsky
In jazz, as in poetry, there is always that play between what’s regular and what’s wild. That has always appealed to me.
I was always into poetry and writing. So the urgency of spoken word is something that really has always appealed to me.
I'm not a jazz musician, because, I mean, firstly, I can't play anything. I'm not bad on the tamborine. I have a certain way with the triangle. But I'm not a jazz musician ... my band, they always joke, they always say that I'm a disposable, pop, jazz superstar.
I've always written poetry but I didn't realise it was a therapy for me until I was maybe 15. That's when my singing started to come together as well because I was listening to so much jazz. What I love I will always embrace.
Growing up, I always wanted to always be something new. I thought if I was an actress, I would have a chance at doing it all. What's incredible about this profession is every role you play; you learn a different skill set. That really appealed to me.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
The very fine line between loneliness and solitude, reflection; being alone, always appealed to me when I was a kid.
The basic difference between classical music and jazz is that in the former the music is always graver than its performance - whereas the way jazz is performed is always more important than what is being played.
I've never been the guy to go for the celebrity girl. I've always liked regular girls, regular people, because I've always viewed myself as a regular person who just happens to be gifted in music.
In Holland, I have got the buzz back playing as a centre-forward, which is where I perform best. Ajax always appealed to me from when I was young and they gave me a chance to play in the Champions League too.
Hamp would ask me about tempos in the band: 'Jacquet,' he'd say, 'knock off that tempo.' A lot of jazz musicians didn't prefer to play for dancers, which was their loss, really. But good jazz has always had that dance feel.
When I started in comics, people were always trying to classify me as either/or. Either a writer who appealed to women or a writer who appealed to guys. This need to categorize was just exhausting.
One of the things that always appealed to me about Nasa was we were always doing cool stuff that no-one's done before.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
People are always defining and re-defining music. My style of playing has been characterized as smooth jazz and acid jazz. I listen as I play; I'm not caught up in defining the type of music I play.
I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there.
I always hesitate when people call me a musician.I have had no musical training. I can't play anything. I really think of myself as a performer. It's always been writing for me. I evolved with my band in rock 'n' roll through poetry, not through music.
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